Xia Yan

A taut wartime thriller, Red Crag: Life in Eternal Flame anticipates the paranoia and violence of the imminent Cultural Revolution while harking back to the aesthetic splendour of the Golden Age Shanghai cinema of the late 1940s. (This opulence is largely due to the work of cinematographer Zhu Jinming, the master visual stylist of Shangrao Concentration Camp and other key "Seventeen Years" films.) The film concerns a hard-boiled woman working in the Chongqing Communist underground during World War II, whose commitment to the guerrilla cause is only intensified after she witnesses her husband's head mounted on the city walls by the Nationalist forces.

Yang Mengchi is a spoiled, rich do-nothing whose habit of smoking opium has cost him his entire fortune and the family mansion, the Garden of Repose, now due to be sold to Yao Guodong. Fearing that Yao's spoiled and unruly son Siaofu will follow in Yang's footsteps, Yao's stepwife Wan Zhaohua tries to instil discipline in the child but her efforts are undermined by the child's indulging and protective father and grandmother. Unable to reform himself despite his own son's chastisement, Yang leaves home to lead a reclusive life in a destitute temple, only helped out by his filial daughter Han'er. The poverty-stricken Yang is drafted into the army and tragedy ensues.

At the age of 16 Zhou Lian, who lost her parents at the age of two and was raised by a stepmother, marries Jiang Mei, a progressive young man from Changsha No. 1 Normal School. Jiang Meiqing has also lost both of his parents. The couple has two sons, Liqun, Xiaoqing and daughter Xiaolian. The film follows the family through turbulent times from 1924 to 1930.

Financial and political pressures bankrupt a Chinese store owner.

In a mountain hamlet in eastern China, a poor woman faces trial after trial. Sold into marriage as a child, she is left a young widow and enslaved by her mother-in-law, who sells her to a poor peasant. Her second marriage turns out to be happy until fate takes away her husband and son. Now seen as a bearer of bad luck, she becomes a social outcast.

Before the liberation of Shanghai, Nationalist agent Zhang Rong is ordered to blend in with the captive workers of the Baotong Mill and wait for a chance to act. After the liberation, he returns to the factory, disguising himself as a far-left agitator and causing friction between the workers and management.

After a break-up, a college professor, Xiao, molds his maidservant, Yu, into an independent, modern woman, then marries her. However, their relationship is interrupted by the war - Yu insists on volunteering her help, while Xiao longs for a stable family life.

The New Year's Gift is the story of some lucky money gifted to a girl. It then leaves her and passes from hand to hand.

The young poet Xin Baihe flees Shanghai with his friend, Liang. Liang soon joins the resistance against the Japanese invaders, but Xin chooses to pursue a relationship with a glamorous and westernized widow in Qingdao. After hearing that Liang has been killed, Xin has a change of heart and rushes to join the war effort.

A hostess in Shanghai invites her secondary schoolmates to a reunion. They each reminisce about their lives, with some having difficulties in marriage or career. Some led destructive lives, while others contributed to the country.

A primary school teacher rallies the citizens of a small town to resist the corruption of the local government and unite to build reinforcements against an oncoming flood.

A young woman finds employment in a department store, only to attract the unwanted advances of the manager and his son.

This early classic of Golden Age Shanghai cinema echoes Visconti's classic La Terra Trema in its beautifully rendered story of a humble silk-farming family struggling to be free of debt to exploitative middlemen.