Teresa Alcocer

In 1939, Ramón was a young man, caught up in his Barcelona family's involvement on the Republic side in the brutal Spanish Civil War. He and his family fled into exile ahead of Franco's troops. Now it is many years later, and he has come back to see how his old homestead fared in the intervening years. The only person he can find who is able to remember those years clearly is his family's old butler Claudio.

After receiving numerous death threats, the millionaire father of a young woman hires a private detective.

Antonio Castro, Sinatra, is a fighter of life working in an old cabaret in Barcelona imitating Frank Sinatra, accompanied in his show by Groucho Marx, Marlene Dietrich and Lola Flores. But one day, the sky dresses in gray for him; his wife, who works as a waitress in the same place, decides to leave him.

Andrés Reyes is a police inspector of renowned prestige in Barcelona. After his intervention in the kidnapping of a young girl (who is finally freed by her captor), the head of the police force promotes the protagonist to commissioner. In this new role, Andres gets to work on the case of Adela, a transvestite in need of protection. An Arab mobster and a network of traffickers are hatching a plan around his victim. Andres will have a shady relationship with Adela, until the final intervention.

While a radio show is on air, wild things happen.

Not published writer, a sculptor who does not expose, a filmmaker who does not make movies ... amateur and professional around anything. His daughter, which is to care, is the only one who understands. A film producer who bombarded daily with an overview, each more extravagant reproaches his fantasy and challenges to look carefully for 24 hours whichever comes around to check that everything that happens follows a rigorous logic .

A patient is released from a mental hospital to help the police find a student who disappeared a few days ago.

Obsessed with finding her old boyfriend, Gumer, a 25-year-old girl, is released from jail in Barcelona, one of Europe's most sought-after port cities for drug trafficking and prostitution. Charo, her best friend, tries to help her, although she is not free, since depends on her pimp "Toni". But Gumer will persuade Charo to abandon Toni and form, along with other friends, a band to start businesses on their own.

Elena, a depressed young Catalan translator, discovers that David, her former lover, is living in New York with a new girlfriend, where she will travel to obsessively look for him and try to win him back.

Four different Alices wander through mazes constructed from 40 years of Spanish history in this post-Franco meditation. Loosely related to the "Alice" of Alice in Wonderland, in one episode of this film, Alice (who is clearly a metaphor for the Spanish people) is raped by some multinational corporations. Told in a somewhat confusing manner, especially for those unfamiliar with the nuances of Spain's history in the period between 1936 and 1975, this is director Jorge Feliu's first feature film.

Juan, before the economic problems arising as a result of the arrival of democracy in Spain, decides to go to Venezuela, with Jaime, his brother, who has made ​​his fortune in that country. Juan hopes that Jaime will make him a loan, hoping that also Gloria, his daughte,r marries Isidro Gomez de Ansúrez, a boy from a wealthy family.

Perros Callejeros is based on the juvenile delinquency of the 1970s and 80s in Spain. The story is set in Barrio de la Mina in Barcelona one of the most conflict neighbourhoods in Spain. The characters chosen were real juvenile delinquents all with criminal records, which the director used to give the film a realistic touch. This film is very powerful and dramatic, it shows how these kids were brought up to survive on the streets.

Barcelona in the seventies. Piper, comedian at the theater El Molino has specialized in effeminate roles, but in reality is a conqueror. His wife, Nita, sets a trap for him.

A group of adolescents from the same school, although of different social classes, intervene between them. Oscar falls in love with Sandra until Diego seduces her and makes her pregnant...

Set near Barcelona at the time of the outbreak of the Spanish Civil War in 1936, this epic drama explores the adventures suffered by an uncommitted vacationing family caught unawares by the conflict. In focusing on the war's effects on the family, this film was able to offer much more devastating commentary than would normally have been permitted in the late Franco era.

The parallel stories of a police commissioner and a bank robber whose lives eventually come together.

Emma is a teenager when she is the victim of a terrible road accident in London, and needs psychiatric care after she suffers from resulting brain injury. Her mother, Silvia, confines her in the house, and Emma's personality becomes aggressive, leading to a regrettable series of violent deaths.

Commissioner Mendoza must join forces with the honorable civil guard, to stop the activities of a network of drug traffickers with international contacts that intend to act in Spain.

Five ex-political prisoners meet secretly in a country house one afternoon in 1974 on the same day that Salvador Puig Antich is executed, to talk about their experiences in prison.

Loris is a young man who begins a romance with Francisca, his piano teacher, a forty-year-old who lives dominated by her mother, who was a successful soprano in her youth. Loris goes to live at Francisca's house. They will have as neighbor a sexual obsessive, fan of carnivorous plants and spying on people with binoculars. When they are preparing a trip, Francisca's mother shows up at the house. Her initial indignation soon gives way to a great interest for the young man, which will provoke the terrible jealousy of Francisca.

A man living in a remote area of India has an affair with a local woman who he leaves in order to marry another. His lover commits suicide after cursing him and his family. Upon returning from London with his new wife he begins to experience strange hallucinations.

Several sketches of erotic character tell the stories, among others, of a man whith a heart condition that has never been with a woman; that of a young couple quarreling about how much they love each other; that of a man whom in his deathbed makes his wife promise to remake her life with his best friend; of the arts of seduction of a waiter with an enigmatic French woman...

After stealing money transported in a train, Sacramento, Big Jim and Tequila arribe to "La Paz" town. They rent a room there in order to hide the money but Sacramento and Big Jim, while Tequila is sleeping, run away with the money. Tequila follow them...

This sequel to the popular spaghetti western "Clint the Stranger" was released four years after the success of the first film and essentially uses the same plot. George Martin returns as Clint (renamed Trinity in some countries), an ex-gunslinger desperately wanting to be forgiven and accepted by his family that he abandoned years earlier. One major differences in the plot when compared to the first film is the addition of Klaus Kinski as a ruthless bounty hunter. The bounty hunter tracks Clint down and forces him to return to his violent ways to protect himself and his family.

In the Canary Islands there is a love story between a young and attractive woman, dissatisfied in her marriage to a man older than her, and a handsome sculptor of her age who lives in a bohemian way.

A bandit gang successfully executes a complicated bank heist but disagreements arise in the aftermath.

This Spanish-Italian co-production tells the story of a man who feels deep guilt for the death of his wife: he, an alcoholic, is convinced that he accidentally caused her fatal fall in their house while he was drunk. He finds a new wife, but he is unable to cope with his first wife's death. Furthermore, it appears the maid and his sister do not accept the new woman in the household. After a while, suddenly begins bodies turn up ... and the grave of the man's first wife is empty!

This film turns on two basic axes: the inquiry into ways of cinematographic representation and a critical image of official Spain at the time of the Franco dictatorship. “Montage of attractions” and Brechtianism in strong doses. Umbracle is made up of fragments (some are archive footage) that resound rather than progress by unusual links, with dejá vu scenes that promise us more but remain tensely unfinished. Jonathan Rosembaun said: “few directors since Resnais have played so ruthlessly with the unconscious narrative expectations to bug us”. Learning from the feeling of strangeness caused by Rossellini as he threw well known actors into savage scenery in southern Europe. Portabella makes Christopher Lee wander around a dream-like Barcelona. Without a doubt Portabella’s most structurally complex and most profoundly political film, that is ferociously poetic.

Mario Colomer, prime minister, is burdened by overwork. His problems seem solved when his assistants tell him about Juan Brandel, a possible substitute, just like him physically, but with a funnier and more adventurous personality. At first the plan seems to work and the politician begins to gain popularity. The plot thickens when the 'original' becomes jealous of the 'copy' and the substitute exceeds his functions.

Jesús, a runaway from a seminary, attends the auditions to join a pop music band; but he is not finally chosen, along with three other boys. But Alicia, a cheerful and enterprising girl, decides to create her own band with all of them.

An antique hustler, a couple of thieves, one pickpocket, a seductive man ... These are the elements of the criminal gang led by "the Brain". Together they aim to make a big score that allows them to retire. "The Brain" master of manipulation, has assigned a role to each one separately, but only he knows all the secrets of the plan.

Portabella’s first feature, co-scripted by poet Joan Brossa, became one of the most influential works of the Barcelona avant-garde, although like all his early films, it circulated only in an underground fashion. Eschewing dialogue, the director constructs a non-narrative story in fragments that reveal the daily lives of an adulterous couple interspersed with a cryptic stream of unrelated imagery. The title of this homage to directors including Eisenstein, Antonioni, Bergman, and Buñuel refers to the 29 “black years” of the Franco dictatorship. — chicago.cervantes.es

John leaves for Barcelona in search of Cristina, who two years ago went to the city. On arrival he is hosted in a cousin's house and there he meets Monica that falls madly in love with him. When he finally finds Cristina, things do not happen as he expected, the time and the city have changed her and she is not sure to continue the relationship. Meanwhile, Monica tries unsuccessfully to call the attention of John.

With musical accompaniment from the zarzuela 'The drum Grenadiers' by Ruperto Chapí, a pair of custodians are in the basement of the National Library of Madrid showing some canvas awarded with the National Prize for Painting between 1941 and 1969.

As publicity for the exhibit Miró L’altre, organized by the Colegio de Arquitectos de Catalunya in 1969, the Board commissioned Pere Portabella to film Miró painting the “poster” for the exhibit on the ground floor windows of the building. Portabella was not interested in simply filming a testimonial documentary. However, he said he would do the film if after the exhibit Joan Miró himself, with the help of the cleaning staff erased his own painting. Joan Miró accepted the idea without a doubt. The complicity between the film maker and the painter is evident in the filming.

Jorge Martin is relentlessly stalking a gang of outlaws led by the ruthless Slim (Jack Elam) who raped and murdered his bride.

Fulgencio and Scott fled the place where they have just committed a robbery. As Fulgencio scapes, Scott is captured by the police. After serving years in prison, Scott looks for his former partner who fled to Mexico and, with the money, bought a bar. Scott's plan is to force Fulgencio, under threat of denouncing him, to work with him in another robbery.

The most ultra-secret telephone number of all is that of the "Hot'Line' that links the heads of state of the United States and Moscow. A conniving double agent manages to steal the top secret phone number and then begins to implement chaos by phoning Washington and Moscow, telling the two powers that their respective spy chiefs are traitors. It's spy versus spy, agent versus double agent, counter spy against counter-counter spy in a rapidly increasing international crisis that finds its solution on the stage of Chinese theater in Barcelona, Spain as the spy leaders, the traitorous agent, a beautiful girl, three old ladies, a young man caught up in the chain of events and a troupe of acrobats collide head on in battle.

Major Lloyd, having stolen the cargo of gold needed to purchase weapons, is heading towards the Mexican border. Three soldiers condemned to death are promised freedom if they recover the precious load. The intervention of a criminal Mexican band and the accompanying officer complicates the situation. Source: SWDB www.spaghetti-western.net

Eurospy movie

Frankie Bargher is hired by the government to pose as his own brother who became a target for two groups of evil agents.

After accidentally killing an opponent on the ring, masked wrestler Superargo quits wrestling and, following the advice of his friend Col. Alex Kinski of the Secret Service, becomes a secret agent, using his superhuman abilities to stop villain Diabolicus' plans to wreck global economy by turning uranium into gold.

Ray, young and destitute, reaches Desert Spring, carrying a case on top of his mule. A gang headed by Brady uses apparently legal means to prevent anyone from trading and exploits all the town's possibilities for itself. The only one who dares to protest is Sheila, the daughter of a tradesman who has been ruined by Brady. She therefore welcomes Ray, hoping to make him an ally. But the young man doesn't even known how to handle a gun. However, when Brady's men beat him up and humiliate him, Ray decides to stay.

Wanted north of the border, Jess Carlin resides safely in Mexico. Then he hears his brother was killed in a gunfight with another man. Knowning his brother never carried a gun he heads north to find his brother's killer. After battling bounty hunters he arrives in Rimrock, a town controlled by Luke Starr. Starr is the man he wants but he unable to find any evidence until he is given an item found by his brother's body.

A man referred to only as "Yankee" rides into a dying, desolate town in frontier New Mexico which is completely controlled by a man called the "Grand Cougar." Almost immediately, a battle for dominance ensues.

A sheriff fights against a band of thugs led by a rich banker.

Kara Ben-Nemsi, friends and rescuers set out to free a young relative of the guardian of the treasure of the Chaldaeans (Christian sect), who is captured for that fabulous ransom.

A stranger rides into Rainbow Valley where he's mistaken for a former resident who was believed killed in the Civil War and soon finds himself in opposition to local boss Tom Cherry, who seeks to find $100,000 stashed away by a Mexican general.

Red and Carraucho, after escaping from jail, reach the border to Mexico and are hired by Morgan, a rich silvermine owner. Disgusted by the latter's cruelty, especially against the local peones, the two support a revolt organized with the aid of Mrs. Vivian, wife of the ruthless tyrant.

Rear Window meets Estate violenta. The middle-aged Constance watches a young couple that lives across the courtyard; the girl plays loud pop music and goes out of her way to be unpleasant to the classically educated and piano-playing Constance. Then one day Constance sees the boyfriend strangle the little tart in a fit of jealousy. He sees her, too, and has nobody else to turn to for help. Constance keeps silent about the murder and offers the young Hugo a place in her bed. Then the blackmail notes start to arrive...

Martin and Antoine, two French criminals, team up with Román and El Picas, a friend of the latter, to commit robberies in Barcelona, but things do not turn out as expected.

Jean Faran has the misfortune to run over with his car a young woman named Micaela. Once recovered from the fright, she invites him to her house to have a few drinks.

Two men, father and son, meet Carmen la Martillo, a regular at the soirees organized in the evenings of flamenco. The contact with this woman will altere their lives, especially when one death cames to scene and nobody knows where it came from.

Everything you need to know is telegraphed by the title of this Spanish-language drama. The story takes place in a hothouse Mediterranean setting and combines lust, intrigue and murder in the overheated sexploitation style that was popular during the late 1950s and early '60s.

Adapted from a comedy of the brothers Alvarez Quintero, raised in a spirit rather routine and a remarkable lack of imagination. The minor nature of the adapted work greatly limited their chances, but there was no resolution film the slightest hint of creativity, merely a recreation under the sign of awkwardness.

In a German prison camp, some Italian prisoners bet with the commander that they will be able to build a church in two hours.

Miguel is a truck driver who dreams of owning a service station. To raise money he agrees to sabotage a truck of his boss' rival, which results in the death of its driver. Miguel gets his station but is haunted by what he did to obtain it.

Paco, a Sevillian living in Paris who works as a music hall singer, receives news of the death of his uncle named him heir to his fortune. The only condition imposed is to pass a test that is to fight in one of the main squares in Spain. If the attempt fails, the estate would pass to her sister full. From here, Paco will have to wake up if he want to show their courage and take part in a bullfight.