Alberto Fusi

Reverend Miller arrives in Tucson where he wants to build a church. But on the very day of his arrival a gang carries out a raid on the bank and the people of Tucson, who are suspicious of the new reverend because he carries a gun, immediately blame him for the robbery. The sheriff saves him from lynching by putting him in jail. Then he asks the priest to find the gang and the booty; thus Miller becomes the Reverend Colt. His exceptional skill means that he can shoot hats off people's heads and their pistols from their pockets, but he never kills.

Italy's best loved comedy duo play rival priests in the neighboring towns of Roccapizzone and San Antonio. Did Franco crash his bike through Ciccio's new stained glass window on purpose or was he just in town for their mutual confession? Their main beef with each other concerns their opposing football teams and this feud takes up a great deal of the picture.

Franco Adami injures a condescending prostitute to photograph her, but escaped from guilt, causing her death by bleeding.

A man gains access to a treasure map and persuades a guide to accompany him in his search to recover it. Both are pursued by bandits.

A 3-episode film starring popular comedians Franchi and Ingrassia. In the first episode, Carlo and Oreste are married to the same woman; when she delivers twins, they fight for paternity. In the second episode, Celestina needs a heir to receive her dead husband's fortune. In the third episode, young widow Daisy arrives in Italy to meet her deceased much-older husband's family and ends up marrying his great-grandson.

The film is composed of five episodes which depict Italians' love lives in the 1960s.

Franco and Ciccio mosey into the Mexican border town of Santa Genoviefa. Both are dressed in ponchos, one rides a small mule, one a large one. They are gun salesmen, peddling their wares from town to town.

Young painter Teddy is successful with women but not very clever about selling pictures. He is in love with Elisabetta but cannot marry her because he is penniless. The couple asks for help from Peppino, a retired clerk who often uses Teddy's painting, pretending that they are his so he can impress the women he likes.

Bewildered, Don Camillo learns that Peppone intends to stand for parliament. Determined to thwart his ambitions, the good priest, ignoring the recommendations of the Lord, decides to campaign against him.

In the reign of king Louis XV,a handsome student,Des Grieux, meets his charming cousin,Manon,just when she goes to the convent of Amiens,to take the veil.

"Elena" cannot marry the man she loves, so enters into a loveless marriage with the wealthy "Andrea". Gradually she falls in love with him, but he never reciprocates. Things become further complicated when a letter from her first love "Carlo" is discovered.

When "Tamara" throws herself from the window of their brothel, her colleagues are made to realise that a new law will close down the source of their livelihood. The girls must now find honest work.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

Forced by her lover to sell her body, Renata is saved from a suicide attempt by Paolo Martelli, an engineer. She asks him to help her find a job. When Paolo's wife humiliates her, Renata gains revenge by seducing the woman's husband.

The Woman Who Invented Love (Italian: La donna che inventò l'amore) is a 1952 Italian historical melodrama film

Vittorio De Sica is a teacher struggling to take care of his family and always dreaming that Parliament will increase the salaries for teachers and life will become easier for his wife, Maria Mereander, and kids. An Indian prince (Sabu) visits Italy, is assisted by the teacher and gives De Sica a baby elephant as a reward. This upsets the landlord, Nando Bruno, the other tenants, and the neighborhood. He takes the elephant away but, like Lassie, it comes home.

When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.

The wife of a mechanic and tester of Alfa Romeo cars becomes the lover of a pilot. The two decide to flee together in Argentina.

A young woman is murdered and robbed in broad daylight. A young man is arrested, in possession of some of the jewels of the victim. The passionate protests of his sister arouse the compassion of Za la Mort, who promises to help the girl.

During the war, a girl falls in love with a soldier. Having no news from her, she has meanwhile accepted the overtures of an older colleague.

An old woman's poignant reminiscence of her youth in a convent school, the happy moments and the sad, and her tragic love for a Garibaldian.

Grace Peterson works in department stores "Tutto per Tutti", along with many other young people. His employment contract entitling them to live in a boarding house built specifically for them by the company but on the other hand, forbid them not fall in love or marry under threat of dismissal. Still, Grace falls for Phil Golder, a violinist penniless. The director of the residence will notice and the best friend of the girl impersonate violinist girlfriend to try to save Grace dismissal.

On a whim, an American man offers a girl the sum of $100,000 if she will marry him.

Italian filmmaker Carmine Gallone was still in his "operetta" mode when he helmed 1938's Il Sogno di Butterfly (Dream of the Butterfly) Maria Cebotari plays opera diva Rosa Belloni, currently starring in a production of Puccini's Madama Butterfly. The plot thickens when Rosa's backstage life begins to mirror the travails of the character she is portraying. The climax comes when Harry Peters (Fosco Giachetti), the American father of Rosa's illegitimate child, returns after four years with his new wife in tow, leading inexorably to a doleful ending both on- and offstage. Critics complained about the substandard photography in Il Sogno di Butterfly, but this might have been due to poor laboratory work.