Andreas Kundler

When a border guard with a sixth sense for identifying smugglers encounters the first person she cannot prove is guilty, she is forced to confront terrifying revelations about herself and humankind.

Elle Marja, 14, is a reindeer-breeding Sami girl. Exposed to the racism of the 1930s and phrenological examinations at her boarding school, she starts dreaming of another life. To achieve this other life she has to become someone else and break all ties with her family and culture.

In an apartment a single and psychotic mother locks in herself and her daughter. Here, the demons are in control. Ti can hear her mother talking to the demons, and she sees her changing and confined face. But the demons that the mother speaks with Ti can neither hear nor see. Outwards, Ti is forced to keep a straight face to protect her mother, while she herself is going under.

Dino is 23 and dreams of a different life. She has left the mass unemployment of the Swedish provinces in search of happiness in nouveau-riche Oslo just like hundreds of thousands of other young Swedish people. But her new life has reached a deadlock. Dino finds herself stuck in a destructive sprial of temporary jobs, financial difficulties and wild partying. When she starts an extra job as as a housekeeper in a Norwegian middle-class home, she is thrown into a reality very far from her own.

Beaten up, bruised, and scared, a young writer hides in a Stockholm apartment, writing the story of its disappeared inhabitants: the flamboyant and charismatic Morgan brothers.

Magdalena is struggling to cope with a major crisis in her life: some time ago her daughter Sara committed suicide. Magdalena finds herself consumed by a grief she cannot overcome. Although the event has shattered her world, she nonetheless manages to ‘function’ smoothly on a daily basis – whether this involves trying to sell Sara’s dog Truls, picking up her second daughter’s son from his piano lesson, eating with the family of an evening, attending a session with a spiritualist or going to a bar. These are all things she would have done anyway, and a strict routine helps prevent her pain from rising to the surface. Only when Sara’s former boyfriend visits does she begin to see a path through all her denial, speechlessness and feelings of guilt.

A film between fiction and reality, highlighting questions about group dynamics and established hierarchies. A group of people meet for their high school reunion 20 years later. One of them talks about her being bullied and outcast and soon the former classmates fall back to the roles they used to have back in school. But this is just half of the film.

The three musketeers are a theater performance / musical in two acts written by Alexander Mørk-Eidem, based on Alexandre Duma's novel The Three Musketeers. The performance was premiere at the Stockholm City Theater on February 27, 2009 and was played until December 2009. It then had a two-year break due to a rights dispute. Some of the music had to be replaced, including music by Prince, Madonna and Michael Jackson. The three musketeers had a new premiere in March 2012 and were played until September 2012. Sveriges Television (SVT) recorded the musical in autumn 2012 and showed on December 30, 2012.

Stockholm, late 1970s. Within a stone’s throw of government buildings and juvenile homes lies the seductive world of sex clubs, discotheques and private residences. Call Girl tells the story of how young Iris is recruited from the bottom of society into a ruthless world where power can get you anything.

Stockholm, Sweden. A warm summer night is torn apart by flashing lights and loud music. Trembling air full of hopes and expectations. Four people end up at the same place for the same reason, because the night.

A man is raping women after having met them through ads on public noticeboards. At first this seems like an easy crime to solve for Martin Beck and his colleagues but they soon discover that somebody's motivations are far more complex.

"Dificult People" - About the production process when Suzanne Osten directs the theater play ”Difficult people”, written by Nils Gredeby. It is a play about people who fail in their professional careers by ”being difficult”. It all starts with the author attending a course about how to spot the difficult people and how to fire people who sabotage or create problems at the working place. In the process the ensemble has to face questions about how we view our fellow human beings and who is considered expendable.