Kathleen Fortin

Approached by the Prime Minister of Quebec to rejuvenate the image of his government, Arlette Saint-Amour becomes, overnight, Minister of Culture. She succeeds by her look and her daring in creating a real buzz around Culture.

When Maria thinks she's at the bottom of the barrel, she discovers that this barrel has a double bottom: no job, no money, no worthy accomplishment and now a dying mother begging her to do something with her life. before his death! She has no other choice but to get back in hand and find a career ... But what can she do with a 7-year-old BAC in communication and no work experience? Believe it or not, she can become a substitute in a high school! Thus, Maria, 30, as responsible and stable as a 14-year-old teenager, returns to high school in the role of the one to whom she threw pieces of erasers: the replacement. Too jaded teachers, rebellious teenagers, intimidated or not sufficiently denounced, she will be confronted with the reality of teachers and young people today and, who knows, may discover a vocation.

A couple in Québec deals with the pitfalls, pressure and high expectations of raising kids in a society obsessed with success and social media image.

Hedonistic philosopher-cum-delinquent, Antonin always finds the right word to win himself both the compliments and the rebukes of his fellows. Antonin never misses a chance to exploit both the goodness and the patience of his wife, Églantine. He is also a constant source of disappointment to his sister, Solveig. Busy trying to avoid Rose the tax collector who is after his neck, Antonin cannot get his attraction and desire for the beautiful Cassiopée out of his skull. Tormented, Antonin must now devise the right scheme and the right words to apologize to Aurore, one of his victims. Between these five women, Antonin gets stuck.

Sophie Deraspe’s adaptation of the classic Greek tragedy of the same name reimagines the story of a woman’s quest for justice as a commentary on the immigrant experience in contemporary Montreal.

In the near future, as humanity prepares to set foot on Mars, Jacob Obus, an elderly musician, takes pride in slowing down time by playing instruments inspired by women's bodies, designed by his friend Arthur. A love triangle develops when Jacob and Arthur both fall in love with Avril, a young photographer. Enter Eugène Spaak, Arthur's father, an inventor and cosmologist who unveils a new theory about man's desire to reach Mars and helps Jacob find the true meaning of life and love.

Michel Dumont is charged, judged and sentenced for a rape he denies ever having committed. While he serves his time in prison, Solange, who he fell in love with during his trial, embarks on the colossal task of proving his innocence and having the court rehabilitate him.

Fifteen years later, the heroes from Cruising Bar may hardly have changed but the world around them most certainly has! For the Bull, reality is brutal. His wife of 30 years, sick of his infidelity, decides to show him the door. But the Bull, who has a positive outlook on life, isn't so easily defeated and fights for his survival. The Lion too faces a break-up when his girlfriend leaves. All alone, he's force to relearn the art of seduction. The Peacock, on the other hand, is trying to figure out his sexual identity with the help of a psychologist. As for the Earthworm, his long wait for a soulmate will, at last, be requited.

The movie chronicles the long, futuristic voyage of a team of Québécois space explorers looking for a planet capable of sustaining life, in the year 2034, after the destruction of the ozone layer through excessive human pollution, prompting the need for a new planet to welcome humankind. The seven crew members venture outside their own galaxy to explore other star system in search of a new planet large enough to sustain 6 billion people. The few habitable planets encountered are ultimately abandoned either because they are already occupied (emphasizing the wrongdoing of invading other civilizations and cultures), or because upon closer inspection they are found to have other problems (cow-sized mosquitoes, high radiation levels, dog overpopulation, unsuitable living environment, ...).

Three women who share a familial bond but little more come to know each other better in this beautifully-photographed drama. Marie-Madeleine (Sylvie Drapeau) is a photographer in her mid-30s who, for the first time, has come into contact with Mado (France Arbour), her biological mother, who put her up for adoption shortly after she was born. Marie-Madeleine is to take a long road trip for a magazine assignment, and she invites Mado along. Joining the two women is Marie-Madeleine's daughter (Isadora Galwey), who has yet to meet her German father. The three women share their thoughts and ideas as they travel through an idyllic setting to photograph birds. Les Fantomes des Trois Madeleine was shown at the 2000 Cannes Film Festival as part of the Directors Fortnight series.

Large women with a zest for life gather weekly at a Montreal doctor's office to receive diet injections.