Phil Bertelsen

Movies

The Picture Taker
Producer
From his Memphis studio, Ernest Withers’ nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?
The Picture Taker
Director
From his Memphis studio, Ernest Withers’ nearly 2 million images were a treasured record of Black history but his legacy was complicated by decades of secret FBI service revealed only after his death. Was he a friend of the civil rights community, or enemy—or both?
Hope & Fury: MLK, the Movement and the Media
Producer
A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.
Hope & Fury: MLK, the Movement and the Media
Director
A documentary following the civil rights movement and how the media, in particular the burgeoning TV, was used to fight for equality in the 1960s. From Selma to Charlottesville, we also see how modern activists use today's technology to continue fighting injustice today.
School of the Future
Director
Researchers and educators highlight the gaps in the U.S. education system and share their visions for innovative and meaningful learning environments.
Rock the Paint
Director
A coming-of-age story ignites when teenager Josh Sendler has to pack up his hoop dreams and move from the lush cornfields of Indiana to the harsh inner-city playgrounds of Newark, N.J.. He meets and befriends basketball phenom, Antwon Jackson, on the local court and together they make a run for the high school state championship. Their friendship is tested along the way and ultimately must prove itself in the face of the explosive n-word.
The Sunshine
Producer
Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.
The Sunshine
Director
Portrait of the Sunshine Hotel, a flop house on the Bowery in New York's skid row. We meet Vic, the desk clerk, who paints watercolours and pastels; Jonesy, a janitor who talks about bedbugs; Bruce, a voluble alcoholic who makes runs for residents, picking up beer or sandwiches for them and sharing his philosophy with us; Vinnie, on methadone, caring for caged birds; Cashmere, a prostitute, the only woman at the hotel; Earl, who works downstairs in the Bowery's last factory, and Mike, the general manager, who talks about the changing face of the Bowery. The film concludes with tourists outside the Sunshine, hearing from Seth Kamil of Big Onion Walking Tours.