Editor
Marek, a young writer, is trying to solve the mystery of the night his friend Arthur died. In the recesses of his memory, Marek finds fragments of past events: a party at the home of an eccentric publisher, his argument with Arthur, the exchange of blows, blood. Afraid that he has killed his friend, Marek suppresses his feelings of fear and guilt in his passionate meetings with a woman who has more to do with Arthur’s disappearance than it seems...
Editor
When his grandson is beaten by gangsters, a Warsaw veteran gathers his war buddies to take them on.
Editor
At 40, Zosia has a happy second marriage, a well-adjusted daughter, a good career, and a comfortable home in Warsaw. But as she and her family usher in the year 2000, she wishes some things in her youth had happened differently, and she's magically transported back to 1987, when she was still married to her womanizing first husband, Darek and lived in the People's Republic of Poland.
Editor
Marek, the main character of "Palimpsest," is a police inspector, a man on the verge of psychological disintegration trying to solve an intricate case. The story is told on two planes. The first one is a crime story, which constitutes the framework of the film. In the course of events, another theme appears - psychological experiences of the main character. Vivid blend of picture with sound and music will draw the audience into the deepest recesses of Marek's mind, making the viewers face questions: What is reality and what is only an illusion? Where is the borderline between the real world and our perception of it? What makes suffering meaningful and what is really important in one's life"?
Editor
Dwudziestosześcioletni Łukasz, niesłusznie posądzony o napad na starszą kobietę, trafia do aresztu śledczego. Adwokat wynajęty przez matkę bezskutecznie próbuje go stamtąd wydostać. Pod wpływem dramatycznych wydarzeń w celi przejściowej Łukasz za wszelką cenę chce znaleźć się wśród grypsującej części więźniów. Świat gitów wymaga jednak przestrzegania panujących tu twardych zasad. Reżyser uzyskał zgodę Ministra Spraw Wewnętrznych na realizację zdjęć w więzieniu na Białołęce.
Editor
An independent film critic is commissioned to write a blockbuster screenplay in which the girlfriend of an influential gangster is to play. Criticising is easier than creating. The critic tries to save his skin with the help of a girl, a proofreader from the editorial office.
