Jacki Ochs

Explores the history and mystery of Migraine, and its remarkable place in the human condition. Migraine is a devastating but fascinating neurological condition with a compelling story to tell. Alice in Wonderland, Thomas Jefferson, Sigmund Freud, and Joan Didion all figure into its colorful history.

This tribute to the dynamic artist Elizabeth Murray, an intrinsic figure in New York's contemporary art landscape from the 1970s until the early 2000s, highlights her struggle to balance personal and family ambition with artistic drive in a male-dominated art world. It also addresses her later battle with cancer, at the peak of her career.

This tribute to the dynamic artist Elizabeth Murray, an intrinsic figure in New York's contemporary art landscape from the 1970s until the early 2000s, highlights her struggle to balance personal and family ambition with artistic drive in a male-dominated art world. It also addresses her later battle with cancer, at the peak of her career.

Never-before-seen testimony is included in this documentary on Emmett Louis Till, who, in 1955, was brutally murdered after he whistled at a white woman.

Two contemporary poets, one from America (Lyn Hejinian), the other from Russia (Arkadii Dragomoshchenko) are asked to begin a correspondence based on a list of ordinary words such as 'home,' 'book,' 'poverty,' 'violence.' They reflect on each word, considering its conventional meaning and what it means to them personally. The resulting extraordinary five-year dialogue is by turns poignant, profound and funny. Both poets move seamlessly from present to past, a move echoed by the use of striking new and archival footage from both countries. Narrative, travelogue, and memoir are combined in a fusion of image, sound and word that is a total sensual experience. As the film progresses and intimacy grows, both the similarities and differences between Russian and American ways of grasping the world are revealed. Letters Not About Love becomes both a revealing portrait of two cultures and a compelling exploration of language, communication, and the art of mutual understanding.

Two contemporary poets, one from America (Lyn Hejinian), the other from Russia (Arkadii Dragomoshchenko) are asked to begin a correspondence based on a list of ordinary words such as 'home,' 'book,' 'poverty,' 'violence.' They reflect on each word, considering its conventional meaning and what it means to them personally. The resulting extraordinary five-year dialogue is by turns poignant, profound and funny. Both poets move seamlessly from present to past, a move echoed by the use of striking new and archival footage from both countries. Narrative, travelogue, and memoir are combined in a fusion of image, sound and word that is a total sensual experience. As the film progresses and intimacy grows, both the similarities and differences between Russian and American ways of grasping the world are revealed. Letters Not About Love becomes both a revealing portrait of two cultures and a compelling exploration of language, communication, and the art of mutual understanding.

Two contemporary poets, one from America (Lyn Hejinian), the other from Russia (Arkadii Dragomoshchenko) are asked to begin a correspondence based on a list of ordinary words such as 'home,' 'book,' 'poverty,' 'violence.' They reflect on each word, considering its conventional meaning and what it means to them personally. The resulting extraordinary five-year dialogue is by turns poignant, profound and funny. Both poets move seamlessly from present to past, a move echoed by the use of striking new and archival footage from both countries. Narrative, travelogue, and memoir are combined in a fusion of image, sound and word that is a total sensual experience. As the film progresses and intimacy grows, both the similarities and differences between Russian and American ways of grasping the world are revealed. Letters Not About Love becomes both a revealing portrait of two cultures and a compelling exploration of language, communication, and the art of mutual understanding.

Two contemporary poets, one from America (Lyn Hejinian), the other from Russia (Arkadii Dragomoshchenko) are asked to begin a correspondence based on a list of ordinary words such as 'home,' 'book,' 'poverty,' 'violence.' They reflect on each word, considering its conventional meaning and what it means to them personally. The resulting extraordinary five-year dialogue is by turns poignant, profound and funny. Both poets move seamlessly from present to past, a move echoed by the use of striking new and archival footage from both countries. Narrative, travelogue, and memoir are combined in a fusion of image, sound and word that is a total sensual experience. As the film progresses and intimacy grows, both the similarities and differences between Russian and American ways of grasping the world are revealed. Letters Not About Love becomes both a revealing portrait of two cultures and a compelling exploration of language, communication, and the art of mutual understanding.

Celebrities and creatives -- including musician David Byrne, performance artist Spalding Gray, comedian Sandra Bernhard, radical activist Abbie Hoffman, and poet Allen Ginsberg-- recall their earliest sexual experiences.

Via the New York Times: "...a tough, angry look at the consequences of exposure to the chemical Agent Orange on veterans and others, a chilling issue that is effectively addressed here."

This film is a scrambled narrative that illustrates, in soap opera fashion, life of artists in Lower Manhattan and at the same time dramatizes questions about the nature of filmic representation. Split decision is a boxing term used when the judges divide their votes in finding a winner. In this case the fight is between the two heroes of the film who are seen intermittently in a bar, negotiating a pick-up, and at home, breaking up in a domestic quarrel. The fight is also in the telling, between modes of conventional representation and modes of radical representation - between conventional continuity editing, and abstraction created through computer generated grids. The film features an appearance by Carolee Schneemann and digital imaging from before the era of personal computers.