Masanori Tominaga

The film consists of five films about Yamato in the post-Corona period. Tominaga's "The Fourth Eye" depicts a bewildered father who is introduced to his stepfather by his estranged daughter; Kiyohara's "The Light of March" tells the story of a woman who becomes pregnant at a young age and tries to flee the town. Takeuchi's "Makie no Bouken" (Makie's Adventure), Yamamoto's "Ano Hi, Kono Hi, Sono Hi" (Ano Hi, Kono Hi, Sono Hi), about a city employee who goes around taking video letters for people who are retiring, and Miyazaki's "Eri-chan to Kumi-chan no Long, Mundane Day" (Eri-chan to Kumi-chan no Long, Mundane Day), about two people who have too much time on their hands to bury a time capsule in a forest on the outskirts of town.

A movie clue has lost his transceiver somewhere in the shore.

A movie clue has lost his transceiver somewhere in the shore.

A movie clue has lost his transceiver somewhere in the shore.

When Suei was little, his mother had an affair with a young man who lived next door. Suei's mother and the young man killed themselves by using dynamite. After Suei graduated from high school, he worked at a factory before quitting his job. He then went to Tokyo and began working in the erotic magazine industry. Suei eventually became the chief editor of a famous erotic magazine in the 1980's.

When Suei was little, his mother had an affair with a young man who lived next door. Suei's mother and the young man killed themselves by using dynamite. After Suei graduated from high school, he worked at a factory before quitting his job. He then went to Tokyo and began working in the erotic magazine industry. Suei eventually became the chief editor of a famous erotic magazine in the 1980's.

Tsuchida works at a host club in secret to support her live-in boyfriend Seiichi, in order to fulfill his dream of becoming a musician. Seiichi is unemployed and falls into a slump, unable to write any songs. However, when Seiichi learns that Tsuchida became a mistress of a customer at the host club and that it was how she is earning their living expenses, he changes his mind and decides to find a job. Meanwhile,Tsuchida had an accidental reunion with Hagio, an old lover who she has been unable to forget.

Tsuchida works at a host club in secret to support her live-in boyfriend Seiichi, in order to fulfill his dream of becoming a musician. Seiichi is unemployed and falls into a slump, unable to write any songs. However, when Seiichi learns that Tsuchida became a mistress of a customer at the host club and that it was how she is earning their living expenses, he changes his mind and decides to find a job. Meanwhile,Tsuchida had an accidental reunion with Hagio, an old lover who she has been unable to forget.

Kanichi works at wet tissue company in Mito, Japan. He runs into Gondo. 10 years ago, Gondo was fired from his job as a teacher for secretly filming others. He is now with Mihari who works as a hostess. He took away her away from Tokyo. Kanichi falls in love with Mihari at first sight and takes her away from Gondo. Meanwhile, due to a female student on the video Gondo secretly shot, an unexpected disturbance is created.

Kanichi works at wet tissue company in Mito, Japan. He runs into Gondo. 10 years ago, Gondo was fired from his job as a teacher for secretly filming others. He is now with Mihari who works as a hostess. He took away her away from Tokyo. Kanichi falls in love with Mihari at first sight and takes her away from Gondo. Meanwhile, due to a female student on the video Gondo secretly shot, an unexpected disturbance is created.

Omnibus film "Bungo Sasayakana Yokubo" features 6 different short stories set under 2 different themes ("Mitsumerareru Shukujotachi" & "Kokuhaku Suru Shinshitachi").

The man who created the sounds of the future, legendary sound designer Matuo Ohno, most famous for his work on the 1963 animated TV show Astro Boy.

Director Tominaga Masanori (Pandora's Box) brings Motoya Yukiko's offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

Director Tominaga Masanori (Pandora's Box) brings Motoya Yukiko's offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

Director Tominaga Masanori (Pandora's Box) brings Motoya Yukiko's offbeat play Ranbo to Taiki to the big screen in a juicy, neurotic tangle of love, hate and voyeurism. Hidenori (Asano Tadanobu) and Nanase (Minami) have lived together for ten years in a tense, platonic relationship. The wheels of change are set in motion when married couple Takao (Yamada Takayuki) and Azusa (Koike Eiko) move in next door. After Hidenori catches Nanase and Takao having an affair, he becomes obsessed with watching Nanase through a peephole, and planning his cruel revenge.

After Japan's defeat in WWII, "Pandora no hako" follows a young man named Risuke (Shota Sometani) who has contracted tuberculosis. He travels to the countryside to a unique nursing facility to receive treatment for his disease. At the sanatorium all the patients and nurses go by nicknames and Risuke decides to reinvent himself as Hibari. During his stay, Hibari develops realationships with other patients and nurses. After Hibari's friend Tsuikushi (Yosuke Kubozuka) gets discharged from the nursing facility, Hibari writes to him about his relationships with Dakesang (Mieko Kawakami) the chief nurse and Mabo (Riisa Naka) another nurse that is bright and seems to like him.

After Japan's defeat in WWII, "Pandora no hako" follows a young man named Risuke (Shota Sometani) who has contracted tuberculosis. He travels to the countryside to a unique nursing facility to receive treatment for his disease. At the sanatorium all the patients and nurses go by nicknames and Risuke decides to reinvent himself as Hibari. During his stay, Hibari develops realationships with other patients and nurses. After Hibari's friend Tsuikushi (Yosuke Kubozuka) gets discharged from the nursing facility, Hibari writes to him about his relationships with Dakesang (Mieko Kawakami) the chief nurse and Mabo (Riisa Naka) another nurse that is bright and seems to like him.

After Japan's defeat in WWII, "Pandora no hako" follows a young man named Risuke (Shota Sometani) who has contracted tuberculosis. He travels to the countryside to a unique nursing facility to receive treatment for his disease. At the sanatorium all the patients and nurses go by nicknames and Risuke decides to reinvent himself as Hibari. During his stay, Hibari develops realationships with other patients and nurses. After Hibari's friend Tsuikushi (Yosuke Kubozuka) gets discharged from the nursing facility, Hibari writes to him about his relationships with Dakesang (Mieko Kawakami) the chief nurse and Mabo (Riisa Naka) another nurse that is bright and seems to like him.

Based on the comic book by Marie Abiko.

Based on the comic book by Marie Abiko.

Based on the comic book by Marie Abiko.

Four beautiful sisters are entrusted with taking care of Kinjiro, a giant salamander and national treasure. Rumors spread that Kinjiro is an impostor, so a genius x-ray technician is sent to run some tests.

Four beautiful sisters are entrusted with taking care of Kinjiro, a giant salamander and national treasure. Rumors spread that Kinjiro is an impostor, so a genius x-ray technician is sent to run some tests.

There's something that's been bothering Sato lately. His cigarettes are dwindling strangely fast. He wonders if he's smoking enough for two people. Or is there someone else smoking? Then he thinks. Is there really no one in the room when I'm not there? Then one day, a man in a pair of briefs appears from the wardrobe. The man, who sometimes tries to fly on the balcony, begins to ask practical questions and give his opinion to Sato, who spends her days in a state of apathy. What is his true identity...? The world stretches out beyond his sight. When he thinks about the overwhelming size of the world, he realises how small he is. Cutting off all contact with the outside world, Sato tries to hide his fear. By using subtitles for his conversations with the man, the film succeeds in expressing his closed world. The humorous touch of the film, depicting a small rebirth that took place over a few days, was made even more striking by the ending theme music.