The story revolves around a man named Takuma who works under the legendary samurai Sanada Yukimura teaching a secret technique called “Kakure Musouâ€. However, Sanada won't allow Takuma to actually fight for him because he's hampered by a painful disease of the eyes. It's the worst kind of humiliation for a warrior like Takuma. A woman, played by Asami (Sukeban Boy, The Machine Girl), eventually makes a special medicine that helps him recover from his affliction. Meanwhile, Kasumi is sent to investigate a bandit who intends to assassinate Sanada. As the threat of assassination draws closer the shocking truth is exposed and Kasumi is forced to face off against an unlikely betrayer.
This installment in the story of hard hitting femme fatale Lady Ninja Kasumi finds the heroine escorting a man to Ueda Castle and protect the deadly weapon he carries. Unfortunately, Hanzo knows about the power contained in Kasumi's precious cargo, and has sent a team of his own ninja's to steal it.
It's been two years since Kasumi chose the Kunoichi lifestyle and she now has a new enemy in Hattori Hanzo. Hanzo's wish is to penetrate the Ueda castle. So he enlists his own Kunoichi to seduce the gatekeeper, probing him for security loopholes.
A raucous teen boy with a feminine face is teased everywhere, so his odd biker father dresses him as a girl and sends him to an all-girl school. The lad introduces himself as Sukeban, and a classmate, Michiko, takes him to after-school activities. Lessons on humility turn violent when a masked hatchet-wielding woman turns up. Jealousy, syringes of hormones, bare breasts, a blood bath, and more figure in the resolution.
A former yakuza, Joji made trouble on the street and was fired from the Family. Arriving at a manzai (Japanese stand-up comedy) training institute, he meets Midori, an ex-idol whom everyone admires. Yet Midori never smiles and she gradually becomes isolated. Joji offers to make a duo with her. She says to him, "I have already smiled and laughed for life..." Can these comedians succeed on stage as professionals?
