John Webster

Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.

Our premise is that work has become an act of self-sabotage. Empty corporate jargon, ever-changing management fashions and self-serving bureaucracy masquerading as efficiency hijacked the purpose of work. Creative documentary The Happy Worker will show how we got to this point and the very human behavior that led us here. We want to show how this unhealthy system is maintained and what keeps us from calling bullshit.

Jörn Donner’s entire production can be considered as a self-portrait, a life-spanning performance. Whilst others have painted one image or another of Donner, John Webster’s interpretation differs in that it pulls most of its material from Donner’s last-intended interview in December 2019, and an immense never-before-seen collection of photographs from albums simply labelled “Donner – Privat”. As a result, the film morphs into an epilogue of sorts, of Donner’s life story.

For the family members of murder victims mourning is often postponed indefinitely. To unlock the trauma and begin the grieving, a method called restorative dialogue brings two parents - and the audience - eye to eye with the murderers.

For the family members of murder victims mourning is often postponed indefinitely. To unlock the trauma and begin the grieving, a method called restorative dialogue brings two parents - and the audience - eye to eye with the murderers.

Filmmaker John Webster sets out on a road-trip with his imaginary great granddaughter in an attempt to understand the moral and behavioural choices that make tackling climate change so difficult. A documentary film with humoristic overtones about a fundamental question: what is our responsibility to future generations?

Filmmaker John Webster sets out on a road-trip with his imaginary great granddaughter in an attempt to understand the moral and behavioural choices that make tackling climate change so difficult. A documentary film with humoristic overtones about a fundamental question: what is our responsibility to future generations?

Filmmaker John Webster sets out on a road-trip with his imaginary great granddaughter in an attempt to understand the moral and behavioural choices that make tackling climate change so difficult. A documentary film with humoristic overtones about a fundamental question: what is our responsibility to future generations?

Director John Webster convinces his wife and two small children that the whole family should go on an oil diet, yet without having to give up their a middle class suburban lifestyle. All the everyday things that we don't do, or that we can't help doing, make up recipes for disaster. In this comedy of errors they find themselves questioning their values and putting to test their will power and ultimately, their happiness.

Director John Webster convinces his wife and two small children that the whole family should go on an oil diet, yet without having to give up their a middle class suburban lifestyle. All the everyday things that we don't do, or that we can't help doing, make up recipes for disaster. In this comedy of errors they find themselves questioning their values and putting to test their will power and ultimately, their happiness.

Director John Webster convinces his wife and two small children that the whole family should go on an oil diet, yet without having to give up their a middle class suburban lifestyle. All the everyday things that we don't do, or that we can't help doing, make up recipes for disaster. In this comedy of errors they find themselves questioning their values and putting to test their will power and ultimately, their happiness.

Director John Webster convinces his wife and two small children that the whole family should go on an oil diet, yet without having to give up their a middle class suburban lifestyle. All the everyday things that we don't do, or that we can't help doing, make up recipes for disaster. In this comedy of errors they find themselves questioning their values and putting to test their will power and ultimately, their happiness.

Director John Webster convinces his wife and two small children that the whole family should go on an oil diet, yet without having to give up their a middle class suburban lifestyle. All the everyday things that we don't do, or that we can't help doing, make up recipes for disaster. In this comedy of errors they find themselves questioning their values and putting to test their will power and ultimately, their happiness.

Police trainee Riikka finds there is something not even a bullet proof vest can protect her from - her own emotions.

Police trainee Riikka finds there is something not even a bullet proof vest can protect her from - her own emotions.

Police trainee Riikka finds there is something not even a bullet proof vest can protect her from - her own emotions.

The prostitutes of Bombay live a nightmare life, yet there are some people who try to bring a little light into the darkness of the brothels. The film follows the lives of women in two brothels in the slums of Bombay. Some of the women are old, some are very young, but they have all been cheated into the business. And cheated out of life. For ten years now, Vinay, a social worker, has been trying to help them by saving them from AIDS and giving them some comfort. Although they are degraded and exploited outcasts, these women manage to retain some human dignity and cheerfulness. And some hope.

The prostitutes of Bombay live a nightmare life, yet there are some people who try to bring a little light into the darkness of the brothels. The film follows the lives of women in two brothels in the slums of Bombay. Some of the women are old, some are very young, but they have all been cheated into the business. And cheated out of life. For ten years now, Vinay, a social worker, has been trying to help them by saving them from AIDS and giving them some comfort. Although they are degraded and exploited outcasts, these women manage to retain some human dignity and cheerfulness. And some hope.

The prostitutes of Bombay live a nightmare life, yet there are some people who try to bring a little light into the darkness of the brothels. The film follows the lives of women in two brothels in the slums of Bombay. Some of the women are old, some are very young, but they have all been cheated into the business. And cheated out of life. For ten years now, Vinay, a social worker, has been trying to help them by saving them from AIDS and giving them some comfort. Although they are degraded and exploited outcasts, these women manage to retain some human dignity and cheerfulness. And some hope.

In the freer climate of the 1990s, some young women from Estonia are enticed into Finland to work as dancers and entertainers. Many, like 18 years old Irma, find themselves doing striptease.

In the freer climate of the 1990s, some young women from Estonia are enticed into Finland to work as dancers and entertainers. Many, like 18 years old Irma, find themselves doing striptease.

Three vacuum cleaner salesmen go door-to-door selling dreams of dust-free homes and personal ambitions in a bleak Finland hit by the worst recession in history.

Three vacuum cleaner salesmen go door-to-door selling dreams of dust-free homes and personal ambitions in a bleak Finland hit by the worst recession in history.

Three vacuum cleaner salesmen go door-to-door selling dreams of dust-free homes and personal ambitions in a bleak Finland hit by the worst recession in history.

Everyone knew ‘public Jörn’, and a large number of people also knew ‘private Jörn’ as a friend, colleague, contemporary or family member. However, according to Jörn, this is just the tip of the iceberg. The Last Interview that was made during four days in December 2019 includes exclusive material that gives us a new perspective into the life of this exceptional cultural and political giant.

Everyone knew ‘public Jörn’, and a large number of people also knew ‘private Jörn’ as a friend, colleague, contemporary or family member. However, according to Jörn, this is just the tip of the iceberg. The Last Interview that was made during four days in December 2019 includes exclusive material that gives us a new perspective into the life of this exceptional cultural and political giant.