Bryan Mason

Nancy Stokes doesn’t know good sex. Whatever it may be, Nancy, a retired schoolteacher, is pretty sure she has never had it, but she is determined to finally do something about that. She even has a plan: It involves an anonymous hotel room, and a young sex worker who calls himself Leo Grande.

Nancy Stokes doesn’t know good sex. Whatever it may be, Nancy, a retired schoolteacher, is pretty sure she has never had it, but she is determined to finally do something about that. She even has a plan: It involves an anonymous hotel room, and a young sex worker who calls himself Leo Grande.

Sharing her journey from child to teen activist, Georgie Stone looks back at her life and historic fight for transgender rights in this documentary.

George the service robot lives a monotonous life working a convenience store. Until one day, George is thrown into disarray when Sid the human attempts to make a connection.

George the service robot lives a monotonous life working a convenience store. Until one day, George is thrown into disarray when Sid the human attempts to make a connection.

Laura and Tyler are best friends and drinking buddies whose hedonistic existence falls under the creeping horror of adulthood when Laura gets engaged to Jim – an ambitious pianist who surprisingly decides to go teetotal.

Laura and Tyler are best friends and drinking buddies whose hedonistic existence falls under the creeping horror of adulthood when Laura gets engaged to Jim – an ambitious pianist who surprisingly decides to go teetotal.

Laura and Tyler are best friends and drinking buddies whose hedonistic existence falls under the creeping horror of adulthood when Laura gets engaged to Jim – an ambitious pianist who surprisingly decides to go teetotal.

The story of Dujuan, a 10-year-old Aboriginal boy living in Alice Springs, Australia, who is struggling to balance his traditional Arrernte/Garrwa upbringing with a state education.

This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.

This is a film about 12-year-old girls, made by 12-year-old girls, for 12-year-old girls, or anyone that has been a 12-year-old girl, or will be a 12-year-old girl, or wishes they were a 12-year-old girl. This inquisitive cross between a documentary and a theatre piece was created by Tilda Cobham-Hervey and twelve 12-year-old girls, where real girls articulate what they hope for, what they remember and what it feels like to be twelve. Performing themselves in a filmed field guide, together these specimens investigate their own species.

A comedy drama told from six different perspectives of a family who reunite in Adelaide when Mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how fucked and glorious it is to be home.

A comedy drama told from six different perspectives of a family who reunite in Adelaide when Mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how fucked and glorious it is to be home.

A comedy drama told from six different perspectives of a family who reunite in Adelaide when Mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how fucked and glorious it is to be home.

A comedy drama told from six different perspectives of a family who reunite in Adelaide when Mum plans to sell the family home. Any sense of togetherness quickly crumbles to reveal how fucked and glorious it is to be home.

Embrace follows body image activist Taryn Brumfitt's crusade as she explores the global issue of body loathing, inspiring us to change the way we feel about ourselves and think about our bodies.

Connor, secretly in love with his best friend Rach, has gotten her a pretty cool birthday present. Something that's sure to knock her off her feet. But, when things take a sharply peculiar turn, Connor begins to wonder whether he would have been better off just getting a gift voucher.

Arthur, a young boy with a wild imagination, develops a preoccupation with death and disease and begins to explore mortality in the vivid images he sees in the movies and through a strange visitor from the past.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

Sixteen-year-old Billie’s reluctant path to independence is accelerated when her mother reveals plans for gender transition, and their time together becomes limited to Tuesdays. This emotionally charged story of desire, responsibility, and transformation was filmed over the course of a year—once a week, every week, only on Tuesdays.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

In 2007 the Sydney Dance Company appointed 29-year-old choreographer Tanja Liedtke as their first new artistic director in 30 years. However before she could take up the position, she was struck and killed by a truck in the middle of the night. Admired internationally as a dancer and celebrated for her fresh choreographic voice, she was known as a dedicated artist, intelligent, dorky, funny and generous. 18 months after her death her collaborators embark on a world tour of her work, and in the process they must deal with their grief and explore the reasons for her death. Interspersed with intimate footage of her artistic process and previously unseen interviews, Life in Movement is a film about moving creatively through life and loss. Filmmakers Bryan Mason and Sophie Hyde give us a powerfully rendered take on art and artists, creativity and our own mortality.

Boys On Film goes down under to bring a fresh batch of funny and touching tales courtesy of our Aussie and Kiwi cousins, while stories of men falling in love from the USA and Hawai'i to Singapore via Korea round out the collection. Volume 6: Pacific Rim contains eight complete films: Craig Boreham's "Drowning" starring Miles Szanto, Xavier Samuel, and Bren Foster; Hannah Hilliard's "Franswa Sharl" starring Callan McAuliffe, John Batchelor, and Diana Glenn; Boo Junfeng's "The Casuarina Cove" starring Nick Shen, Scott Lei, and Yann Yann Yeo; Christopher Banks's "Teddy" starring Brian Moore, Chris Tempest, and Alan Granville; Kim Jho Gwang-soo's "Love, 100°C" starring Do-jin Kim, Jae-won Kwak, and Se-Hyun Yun; Sophie Hyde's "My Last Ten Hours With You" starring Toby Schmitz and Joel McIlroy; Darcy Prendergast's "Ron the Zookeeper" featuring Marc Gallagher and Darcy Prendergast; and Brent Anbe's "Ajumma! Are You Krazy???" starring Thea Matsuda, Tessie Magaoay, and Cari Mizumoto.

Boys On Film goes down under to bring a fresh batch of funny and touching tales courtesy of our Aussie and Kiwi cousins, while stories of men falling in love from the USA and Hawai'i to Singapore via Korea round out the collection. Volume 6: Pacific Rim contains eight complete films: Craig Boreham's "Drowning" starring Miles Szanto, Xavier Samuel, and Bren Foster; Hannah Hilliard's "Franswa Sharl" starring Callan McAuliffe, John Batchelor, and Diana Glenn; Boo Junfeng's "The Casuarina Cove" starring Nick Shen, Scott Lei, and Yann Yann Yeo; Christopher Banks's "Teddy" starring Brian Moore, Chris Tempest, and Alan Granville; Kim Jho Gwang-soo's "Love, 100°C" starring Do-jin Kim, Jae-won Kwak, and Se-Hyun Yun; Sophie Hyde's "My Last Ten Hours With You" starring Toby Schmitz and Joel McIlroy; Darcy Prendergast's "Ron the Zookeeper" featuring Marc Gallagher and Darcy Prendergast; and Brent Anbe's "Ajumma! Are You Krazy???" starring Thea Matsuda, Tessie Magaoay, and Cari Mizumoto.

Marzieh is a young female actress living in Tehran. The authorities ban her theatre work and, like all young people in Iran, she is forced to lead a secret life in order to express herself artistically. At an underground rave, she meets Iranian born Saman, now an Australian citizen, who offers her a way out of her country and the possibility of living without fear.

The final night of Mark and Jeremy's relationship, they wait it out, trying to find the way to say goodbye.

The final night of Mark and Jeremy's relationship, they wait it out, trying to find the way to say goodbye.