Seiji works on construction sites. He sympathizes with Hosaka just back from Thailand. Together, they spend their evenings in bars with Thai girls. On a construction site, they meet Takeru, a member of the hip-hop collective of the city.
Hisashi was once a member of a motorcycle gang. Now he plays pachinko everyday with his live-in girlfriend, Junko. He has a habit of "huffing" paint thinner. His debts accumulate every day. Hisashi's old friend from the gang, Ozawa is a loan shark. He persuades Hisashi to join his easy-money-making scheme, "Quit inhaling paint thinner and score big with me!" Hisashi's dead-end life is made up of the same things that symbolize contemporary rural Japan: Karaoke clubs, pachinko parlors, ATM loan machines and discount outlets along a highway. In this ordinary place that is just like hundreds of other small towns in Japan, Hisashi sees the darkness. Darkness that is out of the reach of neon lights along the highway. In the vacuum of this darkness, life repeats itself endlessly. Hisashi has a flashback of a paint-thinner trip he once had. The hallucination tempts him to the other side. Tantalized, he asks himself, "Can I really go?
In some lonely countryside, or more precisely, in the smaller district where the word “community” still fits perfectly, there is an old temple with a red rusty roof. The temple is called Kôun’in whose roof has a tale passed down from ancient times. The tale is based on the myth of dragon god: Once upon a time at a brumous crack of dawn, all kinds of snakes magically flocked to a waterfall. As soon as they merged into a single huge serpent, it started to fly up heavenward. But when it incarnadined his body with the red color of the roof, it transformed itself into a rising dragon.
