Stephan Bissmeier

East Germany, in autumn 1999. Gudrun Pfaff is about to turn sixty when she finds out that the orphanage she grew up in is being sold to turn into a hotel, and she is willing to do anything to stop it.

In “Death Angel”, Jakob Ziemnicki's film adaptation of the novel “Walküre” by Craig Russel, Peter Lohmeyer alias Jan Fabel does everything possible to eradicate his most bitter flesh as an investigator: the Hamburg chief commissioner once again chases one of the press as the “angel of St. Pauli "described the serial killer who" punished "sex offenders ten years ago, remained undetected and is now apparently active again. However, the chief investigator, along with his crime logs played by Ina Paule Klink and Proschat Madani, comes across puzzling deviations from the previous victim scheme.

Alaska Johansson is the perfect woman and she is the best in her profession as a headhunter. One day she is fired by her boss, a married man who she has an affair with. He also tells her that their relationship has no future. She decides that her best option is to commit suicide with a poison cocktail. She is saved when a child in a Halloween costume enters her apartment demanding sweets. Something is not right about the child. Later her neighbor is going to tell here that there never was a child. Alaska’s world is turning upside down, her perceptions seem to be merely illusions. When her car starts to act on its own and causes a crash, she becomes convinced that someone is conspiring against her. Or is there another, darker secret in Alaska’s life?

Minette and Paul are married and seem to lead a happy family life. But when Paul began gradually to move away from his wife, it decides to spin and managed to watch the tryst he gave Nora, his new conquest, in a hotel room. The betrayed wife keeps to herself what she witnessed, even when it crosses the opera which was favored by her husband. Following a violent altercation between two lovers, the master mysteriously disappears. The former partner it makes contact with Minette and claims that Paul murdered Nora. To support his point, he shows Minette photo of a dead body could be that of the missing young woman ... A crossover lover-like thriller, where the characters and spectators alike struggle to discern truth from falsehood.

A cruel serial killer keeps the Hamburg police in suspense. Two women have already fallen victim to him. Both were killed after a Viking ritual, the so-called blood eagle. Although the perpetrator, Chief Inspector Fabel sends mysterious e-mails, the investigator pats in the dark. Only little by little it turns out that you are dealing not only with a psychopathic killer, but with a mafia gang, in whose machinations even senior police officers are entangled.

Despite advancing age, rural businessman Franz has remained fit and energetic, but serious mental illness and financial problems mean that this hitherto ordinary man one day finds himself on a journey to Nairobi to get his money back, and perhaps his human dignity as well.

In rural Westphalia, Franz Berger struggles to keep his inn open. On this day, a bluff, overbearing bully, Hermann Walzer, has booked the dining room for a wedding banquet for his son Mark. There's bad blood between Berger and Walzer, so when the first course, shrimp cocktail, is off, Hermann storms out with the wedding party vowing not to pay. Franz locks the loo door, taking prisoners of the bride and Hermann's wife while he also locks the estate's outer gates, leaving Hermann and the rest outside. Walzer, a pheasant hunter, lays siege; shotguns, rifles, grenades, a shovel, and other weapons leave no one safe. Will it take death to bring these men to their senses?

Bernd Schadewald's thriller based on a screenplay by Burkhard Driest.