Ayumu Watanabe
Birth : 1966-09-03, Tokyo, Japan
History
Ayumu Watanabe (渡辺 歩, Watanabe Ayumu, September 3, 1966) is a Japanese animation director, animator, and director born in Tokyo. He also worked under the alias Kakeru Watanabe (渡辺 カケル, Watanabe Kakeru).
Director
Nikuko is a brash, jolly, scattered, and passionate woman in an otherwise sleepy seaside town in northern Japan. She’s also the single mother of 11-year-old Kikuko, who is her opposite in many ways. Kikuko is a string-bean of a young girl, pensive, quietly curious, and methodical in how she approaches life in this small harbor town. Nikuko embarrasses Kikuko as any mom of a preteen would, but Nikuko’s bold spirit makes her especially well-known in a town where Kikuko herself wants nothing more than to simply blend in. As Kikuko navigates the everyday social dramas of middle school, enhanced with touches of magical realism from her ever-present imagination, a shocking revelation from the past threatens to uproot the pair’s tender relationship.
Director
Ruka is a young girl whose parents are separated and whose father works in an aquarium. When two boys, Umi and Sora, who were raised in the sea by dugongs, are brought to the aquarium, Ruka feels drawn to them and begins to realize that she has the same sort of supernatural connection to the ocean that they do. Umi and Sora's special power seems to be connected to strange events that have been occurring more and more frequently, such as the appearance of sea creatures far from their home territory and the disappearance of aquarium animals around the world. However, the exact nature of the boys' power and of the abnormal events is unknown, and Ruka gets drawn into investigating the mystery that surrounds her new friends.
Director
Prequel to the TV anime series, revolving around the "origin of the dream."
Director
First-grader Masaya is a crybaby despite his large stature, so he can't walk by himself on the dark path to school. The one who holds his hand is Akiyo, a tiny but capable second-grader. Masaya wants to be strong like Akiyo and admires her, but one day, something happens that leaves Akiyo in tears. To lift Akiyo's spirits, Masaya goes trekking to the distant Ipponsugi forest to find the spotted bellflowers that Akiyo loves.
Director
Nobita’s troubled about what to do with his zero test marks once again. A gust of wind scatters his test papers and he falls into a garbage dump trying to gather them together again. There he finds a young withered tree that caught one of his papers and he decides to take it home. He tries to plant it in his garden but gets caught by his mother who doesn’t allow him to grow it.
Writer
After bringing a fossilized egg back to life with the Time Cloth, Nobita finds himself the owner of a baby dinosaur. Everything is fine until it grows up. Nobita and friends use Doraemon's time machine to return it back to its own time.
Director
After bringing a fossilized egg back to life with the Time Cloth, Nobita finds himself the owner of a baby dinosaur. Everything is fine until it grows up. Nobita and friends use Doraemon's time machine to return it back to its own time.
Director
A 2002 Japanese short anime film based on the popular manga and anime series, Doraemon. It premiered on March 9, 2002 in Japan on a bill with Doraemon: Nobita in the Robot Kingdom. The movie's original plot was written by Hiroshi Fujimoto and Motoo Abiko.
Director
A 2001 Japanese short anime family film based on the popular manga and anime series, Doraemon. It premiered on March 10, 2001 in Japan on a bill with Doraemon: Nobita and the Winged Braves. The movie's original plot was written by Hiroshi Fujimoto and Motoo Abiko.
Director
Nobita finds his old teddy bear among the trash after his mother partially cleaned up their shed and tells her not to throw it away. The stuffed animal is a precious gift from his beloved grandmother. Reminiscing about her makes Nobita ask Doraemon to take him back to when he was still three years old and his grandma was still alive. [edit]
Director
The movie starts with Dekisugi expressing his love to Shizuka which makes Nobita cry (even though it was a rehearsal for a play in Nobita's school—Nobita thought that it could influence Shizuka to marry Dekisugi). He goes to Doraemon, asking him to take him to the future to see if he and Shizuka will marry
Director
A short film released in 1998 between Nobita's Great Adventure in the South Seas and The Great Operating of Springing Insects. About Doraemon leaving Nobita to go back to the future.
Director
Key Animation
When a variety of circumstances leave Nobita, Doraemon and the gang wanting to run away from home, they face the task of finding somewhere to live. However, with every seemingly spare piece of land already owned by someone else, building themselves a house looks impossible – that is, until Nobita has the idea of travelling back seventy thousand years into the past. While the group are making themselves at home in an uninhabited Japan, back at home a glitch in space-time has sent a caveboy crashing into the middle of the city. When they return to the present, Doraemon et al encounter the child – named Kukuru – and take him with them back to their prehistoric paradise. Together, the gang decides to return the young boy to his true time and help him free his captured friends, even if it means facing the dangers of Kukuru’s enemies: the dark tribe.
Key Animation
Nobita, Gian, Shizuka, and Suneo is preparing for a school play on the "Journey to the West". As they are arguing about who should play the role of the monkey king, Nobita suggested that the real monkey king should play the role. Because the monkey king is only a legend, Nobita and Doraemon have decided to go back in time using the time machine and make a fake one and show Gian, Shizuka, and Suneo to prove that they are right. Unfortunately, Doraemon's machine allowed the fictional monsters to come to the real world and defeated the entire human races, thus turning the future (Nobita's time) into a demon-ruled world. In order to reverse the change, Doraemon and gang needed to return to the past and capture the demons back into the machine. On the way, they have met the real monk and rinrei (a child). At the end, they have either returned the demons back to the machine or destroy them with Dorami's help, thus turning the future back to normal.