Marina Razbezhkina

The story is about a 13-year—old boy from Kyrgyzstan and his friends - 12-year-old Tajik Mukhamad and 11-year-old Uzbek Rustam. Their parents moved to St. Petersburg after the collapse of the USSR, finding themselves in a foreign country that has not yet become their own for them.

The demonstrators on the streets of Moscow in July 2019 want just one thing: fair elections. Despite their peaceful protest, 2,700 activists are arrested and hundreds are injured. The active camera places the viewer at the heart of the demonstrations, among the pushing and shoving of the chanting crowds. “You should be protecting us!” shouts a young woman at a soldier, and two big men come and take her away.

Nikita is 25 years old and has a rare genetic condition that makes his skin very fragile and untreatable. Such people are usually called "butterflies". Together with his girlfriend Leroy, they are looking for a way to stop the development of the disease and get acquainted with famous scientists Alla and Vadim Zorin, who agree to conduct an experimental treatment.

Igor and his friends dream of having a rave in Chernobyl to rethink the space of a man-made disaster through life and art. However, they are faced with a reality where their idea is opposed by unfounded fears, corruption and hypocrisy of officials. The film by the Guatemalan director Pablo Rojas Castillo, a graduate of VGIK and the School of Documentary Film and Theater Marina Razbezhkina and Mikhail Ugarov, is not only about the company of dreamers and the rave at the sarcophagus of the Chernobyl nuclear power plant, but also about the need to recycle the Soviet heritage and the clash of values of different generations.

Everyone has their own buzz. For him, the high is war. He was in love with the war as a woman, and the feelings did not go away. He can't go back into battle. All he has now is the house of mercy, the monastery on the next street, and the desire to start a different life.

The dusty roads of Odessa preserve and tangle the traces of many a traveler. Led by the shadow of Kira Muratova and their desire to follow her footsteps, Anya and Gleb set out on a journey to find the keepers of her memory, and the characters of her films. These Odessa encounters connect “reality” to the world of Muratova, where, as we know, everything is bound to repeat itself.

In the circus tent „Joy” the same thing happens every day – they dismantle and assemble the tent with a dome full of stars, give performances, and move on to the next place. Lynx and parrot trainers quarrel over every little thing, and Valera the clown always performs alone. Until one day a new partner joins him, the clown Yana, and he starts to dream about conquering the world of the circus together with her.

How to become another person in 30 days? Find a way to try 30-year-old Albina, who is in search of a good well-paid job. To make a difficult path to updating Albina, not only home-based online learning helps, but also the Challenge diary, which daily challenges the girl.

They say that if a daughter looks like a father, then she will certainly be happy. But what if you look like a person whom you have never seen in your life? And all you know about him is speculation, fantasy and a small bronze figure.

Last road in the ambulance. The driver - a cheerful Armenian - comes to those who can no longer be helped and becomes for them a guide between life and death. The road, meanwhile, shines with bright lights, erodes in an abstract pattern, yells with sirens. There is an inexorable countdown.

Ivan Komendantov is only 16 years old. But he is already the secretary for ideology of the Stalingrad district committee of the Komsomol of Moscow. Vanya wants to quickly become an adult, so he enthusiastically takes up any business: whether it be the rise of the world economy or a special task to seduce a girl.

Novorzhev is a small town in the Pskov region. After six in the evening, its streets are empty, and it seems that life in this place has stopped. But she is in full swing at the House of Culture, where local residents rehearse the play based on a play by a Spanish playwright. The heroes poison each other, try to shoot their relatives, die writhing in convulsions - and at some point it is no longer clear where life is and where is the theater.

In this documentary, we are not going to discover anything about the eponymous musical genre, but instead we will meet a group of workers dismantling a high-rise building made of concrete and metal. The filmmakers observe and register their labour using ingenious, visually stunning images, sometimes joined into several composition plans.

What is going to happen if the painting of the great Dutch artist suddenly comes to life in a half-abandoned Russian village?

The last few years, Matthew and Kate live in the village. An event occurs in their lives that leads to a radical redefinition of relationships. The past and the present are intertwined into one confused story in which the characters lose sleep, drive each other out of the house, rush into the arms, starting a new circle. And precisely at this time friends from Berlin come to visit them.

My grandmother is 96 years old. She dreamed of becoming a ballerina, and became an engineer. I made this film because I wanted to understand who she really is, but instead I understood a little about myself.

Тrue Kazakh girls don’t marry Russians. This is what grandma Zeinegul believes in. But her beloved granddaughter disobeyed her will. Many years later the girl comes back to Kazakhstan. Her mother drinks, her grandma prays, her father got married again, but she wants to take a picture of her whole family, just like the one they took years ago when she was a child. The picture of the family she loves and hates so much.

In Russia’s Republic of Tatarstan a city of the future is being built. Named Innopolis, it was officially opened in 2015 and is the first new town to be built in Russia since the collapse of the USSR. The best IT specialists travel there from all over the country to create a new community. But those who work in the town’s service industry are ordinary inhabitants of the neighbouring villages: Pustiye Morkvashi and Vostochnaya Zvezda. What is this juxtaposition like: the new world and the old world? Perhaps, despite the apparent differences, these worlds are identical in their essence?

Graduated of the institute, Nikita comes to work at the best Kostroma’s factory. Now it is essential for him to learn how to dust down the veneer sheets and to put them into the dryer in the right way.

Mark is 18, and his buddy Kirill is 20. They’ve been friends for just a month but they’re obviously meant for each other. They both crave attention and have a provocative attitude to the world around them. They dance together on the railings of Moscow’s Krymsky Bridge, gatecrash parties, hang out on their skateboards, challenge authority figures and mouth off to everyone who crosses their path. “I’m young, I can do what I want,” Kirill tells us.

A simple journey from point A to point B turns into an equation with a lot of unknowns, if you are 20 years old and you are Kolya.

There are those who follow the course of time. As in Soviet times, they adjust the accuracy of the clock in the astronomical institute every day. The clock runs fast, then slow, and we are left to wonder exactly what time we live in.

Carlos has been just born. He is the sweetest of the babies, but his grandmother is very sorry that he’s was born dark skin. Grandfather Sergey Mikhailovich wants to drink to the health of his grandson and celebrate this event, but grandmother doesn’t allows him to drink. Grandfather wants Carlos to know that he was born in the Great Russian Empire. This is Carlos’s first new year, and I made a movie so that he would remember it, and to talk about hilarious and painful things happening in my new family.

The war in Abkhazia ended more than twenty years ago. But the shadows wandering in the corridors of the republican psychoneurological hospital still remind us of its impact. Sometimes we see ourselves in those shadows and glimpse fragments of reality in their monologues. The monochromatic way they see the world carries many more meanings than we are able to perceive.

Varya is sixteen. Varya doesn't go to school. Varya asks that she be called Sasha. Varya has a goal - to go to St. Petersburg. She plays the violin in the train, earning a trip. But the trip of a dream turns out to be a dangerous adventure, in which everything goes not according to plan...

The convicts of the female penal-colony Marina, Olya and Albina are waiting to be released. To pass the time they decide to make puppets, sew them and stage a small performance.

August 2015, a courtroom in Rostov-on-Don. A man is peering through the bars of his cage, his eyes reveal that his nerves are about to snap. Today he will be handed down a sentence to which he must submit: 20 years’ imprisonment in Siberia for terrorism. The man is Oleg Sentsov, a film director and Maidan activist born in Simferopol in the Ukraine. He is charged with leading an anti-Russian terrorist movement and having planned attacks on bridges, power lines and a monument of Lenin. Sentsov defends himself, courageously and without flinching. He responds to the verdict with an emphatic denial of his crimes and instead accuses the accusers themselves ...

In the event of natural disaster, turn off electricity and gas, hide your valuable objects, lock the house, climb onto the roof, and maybe you will survive. Natasha, 12 years old, knows these instructions by heart. So, while waiting for the storm, she laughs and fights, suffers heartbreak, attempts to negotiate the purchase of a new swimsuit with her father. With zest and delicacy, with clear complicity with the body of her young heroine, Elizaveta Kozlova captures the details of a day-to- day life which, although ordinary, never seems insipid, so deeply is it infused with the contagious energy of the protagonist. And as the lines of contemporary Russian society and its problems are sketched out, In the Eye of the Storm reveals itself as the portrait of a character undergoing tremendous change.

Thirteen-year-old Alina is going to summer camp. There, she shares a room with five other girls and takes part in the daily activities, which include games on the beach and lots of sports. At first she hangs back, hesitant, but she quickly finds her place in the group. She makes new friends, flirts with boys at the camp, dances in the evenings to loud music and shares secrets with her roommates. But it’s not so easy for everyone to find a place in the social structure of the camp. For Polina, the summer camp isn’t as warm and friendly as she’d hoped. Failing to connect with the other girls and feeling homesick, she withdraws into her own world. Paper Stars is a Russian coming-of-age film that, thanks to its direct camera style, is able to present an intimate, sensitive impression of teenage girls in a new environment where they feel unsure.

Kasia (40) has two teenage kids, is happily married and loved. She is a middle-class woman with a high education and a managerial position at work. Her life is perfectly organized and is a stream of successes. One day her peaceful and perfect life is destroyed by the news that she is pregnant with a baby with Down's syndrome. At this moment, she can decide either to give birth or have an abortion. Yet for her, neither of the solutions is good. Each will result in a drama and trauma. The camera stays with her for over six months documenting her state of mind and emotions, up to the final scene of the film - the delivery.

A Russian girl, a Kurdish father. The father lives in Syria, in a town near the Turkish border. The girl joins him to meet her new family and... to find her lost roots. Everything moves forward in fragments, of time and of space. It is not only an aesthetic choice. It is a form consistent with the state of war, with the fragility of existences, with the capturing of reality by the body and by the spirit. But everything moves forward, in its way, carried along by a painful energy that obstinately perforates the borders.

Sakhalin is a distant island. It is swept away by April snowstorms, and if you leave there, then forever. And if you stay, then for good and for great love. Masha turns thirty, and she still hasn't left. And she still hasn't stayed. She can't decide. Or decide.

A group of (mostly) European (mostly) avant-garde jazz musicians embarks on a musical tour across Russia. The plan is to travel 20,000 km, from Moscow to Vladivostok, on a bus. The project is organized and solely handled by Yury, Russian discipline-loving jazz impresario. The film follows the bus and its passengers as they get deeper and deeper into “Russian reality”, bringing their music to people who had never expected to hear it.

Nadira 21, and all that she has is a body. Her body. The body seduces, the body works, the body earns. The body lives beautifully. But does Nadir live? Who will win: is she her body or vice versa?

Two twin brothers. Bright and charismatic. One paints temples, the other writes musicals. And for three years they have not communicated and live in different cities. What has separated them? Different views on life and creativity or love for the same girl?

The documentary follows the life of Farroukh, a young Tajik immigrant who lives in Moscow outskirts with his family and does odd jobs in dreams of becoming an actor.

The whole life of this village was concentrated in one shop. To the saleswoman Tatiana go for chicken, vodka and medicines; go to learn news, bask, ask for money, complain, celebrate holidays. All roads lead to the "Products".

The Chechen Ruslan Arsajev seizes every opportunity to fight against the Russians, including in Ukraine. A portrait of a displaced mercenary from the front line of the crisis.

In a small village on the slopes of the former coal mines, Oleg Pavlov, the father of many children, screens the "Little Prince" of Exupery. The camera is the cheapest, bought for retirement. In the roles - Oleg and his four children. Two years of filming and editing - and journalists from all over Russia are on a visit to an amazing creative and friendly family. But the family never calls his father at the table. Children refuse to go to the premiere of the film. And Oleg himself does not go to spend the eldest daughter, when she leaves to live in another city. He just sleeps. And no one wakes him up.

Can one escape from family to get into a mental hospital? An overdose of drugs – and you are “free”. Now Dasha lies on a hospital bed, paints and smokes. She smokes. And smokes. And smokes... A closed space of the mental hospital is more and more hard to endure. How much is she going to stay in this box? A day of discharge comes. She is going to return back home.

Armed with nothing more than a Yamaha keyboard, Valentin commutes back and forth between his shared flat and a metro underpass in search of happiness.

It takes 20 minutes on foot to get from the town of Nikola-Lenivets to the village of Zvizzhi. Nikola-Lenivets is the site of Arkhstoyaniye, a most fashionable festival of landscape objects. Zviszhi is the place where Val'ka, Lyudka, Zhen'ka and a sixty-year-old "dolly" Natasha live. Natasha lives with Valerka, a guy who served a term for murder because he knows how to fix electric wires. Valerka prefers to pass his nights with Zhen'ka. Val'ka was once Lyudka's kindergarten teacher; now they spend time together in a vegetable garden drinking denatured alcohol. "Fashionable" festival people and "degraded" Zviszhi people never heard about each other. But one day, village people decide to go visit their neighbors during the festival...

Every evening a group of grandmothers-druzhinnits appears on the outskirts of Kaluga. Almost all of them over eighty. Armed with red armbands and a formidable word, they come out to clean up their neighborhood. To local drunkards to drink in a court yard became much more difficult.

Seven years ago Svetlana bought a large farm with land and cattle, sold all her business in the city and left alone for 200 km from Moscow. To do a new thing.

Two people are on the road. Everyday life, business calls, games, a curve of the highway, a swing and again business calls... During this year the father and the daughter have not seen much of each other and they have not been alone for a long time. Two cameras are looking face to face; different fears inhabit one and the same space. There is a question: should they come back or should they continue traveling together?

Twenty-one day is a time period that terminal patients are allowed to stay in hospice. Time is pulsating here according to peculiar inner cycles: getting faster, slower or returning to its ordinary rhythm. We wander through physical and mental spaces: wards, gardens, memories. It is a story of two main protagonists, yet two strangers, for whom the regular talk about death constitutes an integral part of life.

Vova Kayukov suffers from a severe form of cerebral palsy. After the death of his mother from cancer, he lives in a psycho-neurological boarding school near St. Petersburg. His life consists, basically, of watching endless TV shows and TV shows, as well as drawing actors and pop stars. For the first time in several years, he went outside the boarding school, looking at the city through the prism of "cops-bandit" serials.

Faced with the relentless demise of the factory they work at, Mikhail, Andrey, Nina, Vladimir, Nadia and Luda – bosses, foremen, engineers and workers at the giant Moscow automobile plant ZIL – cling to their established routines and professional pride to stay upright in a world which is crumbling around them. When an order comes in to produce three of the factory’s legendary hand-made limousines, once the centerpiece of Soviet military parades on Moscow’s Red Square, Mikhail’s team of hand-picked specialists throws itself at the opportunity to show what they are worth.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.

Russian photographer Maksim Dmitriev liked reality, and in the beginning of the 20 century, he photographed bums, workers, farmers, bankers, and monks. Hundred yours later we showed these photographs to nowadays heroes. And they recognized each other.

SPARTA is the Agricultural Poetized Association for the Development of Labor Activity. This is how the commune calls itself, which has been engaged in the development of the "Theory of Happiness" in the Ukrainian village "Karavan" for more than 20 years. Unable to reconcile with the collapse of communist utopia, the "Spartans" created their own.

The film is a portrait of a young writer Alexander Sarapov (literary pseudonym of Bronsky) from a small closed city of Zelenogorsk, Krasnoyarsky kray. His work had a great influence on people close to him and aroused interest among the leading figures of cinema and literature.

Fly-on-the-wall documentary on the day-to-day life of Evgeniy Alyokhin, russian poet and musician, and his girlfrend Oksana.

Ten director graduates from Marina Razbezhkina’s School of Documentary Film and Documentary Theatre lived with a camera for two months in order to chronicle the last “Russian winter” and its popular uprising against Vladimir Putin’s presidential run. People, faces, conversations, protests, failures and triumphs come together to chronicle the campaign.

A provincial Russian family killed off by suicide, murder and manslaughter and a boy who asks about guilt and forgiveness in the midst of all this squalor. Shockingly great.

"Ata" is translated from Kazakh as "grandfather". The story of the 80-year-old blind grandfather was filmed in the south of Kazakhstan.

Summer 2010. The entire central part of Russia is engulfed in fires. The authors of the films of the almanac together with the volunteers go to the epicenter of events. Volunteers, foresters, firefighters – they are not heroes in the usual sense of the word, it was just their life, their trouble, and they tried to cope with it as best they could.

Susanna, a sixty-four year old actress, lives with her mother and for a long time hasn’t played in the theatre; only occasionally she appears at small venues with poetic concert programs. But she is haunted by the play, which she rehearsed more than twenty years ago, and which was never staged. She finds a partner; the only thing that remains is to find a theatre that will agree to produce the play.

Two different worlds. On the one hand - porters, who bear pianos. On the other hand - people, who the porters visit – musicians, new Russian “middle class”. What is the dialog between them? How does it clear for each of them - what is the musical instrument for?

The son of the village priest is obsessed with the idea of taking a look at the world from his father's belfry. But he can't cope with is fear of the height on his own. His mother helps him. For whom will this ascent become a feat? And what is feat of life, cross or blessing? And what is feat of life, cross or blessing?

The Mansi children on a boarding school in the small Russian village Ivdel are impatiently waiting for winter holidays. They are looking forward to return to their home village, where there is no television or video games. It takes a whole day to get to their hometown, through forests and snowed fields, but there is no place like home. At home they can ride sleigh, jump from the roof into the snow and play cards with grandmother. The winter break is a small change from the city life for the children. Will some decide to return forever?

Winner of a Golden Plaque award at the Chicago International Film Festival "for its complex and poetic evocation of an ambiguous period in Soviet history," Marina Razbezhkina's debut film HARVEST TIME is a beautiful portrait of a woman living in a small Russian village after World War II. More than a story of survival against ethics, or individuality against collectivity, HARVEST TIME is a piercing meditation on family unity. - Written by Anonymous

Winner of a Golden Plaque award at the Chicago International Film Festival "for its complex and poetic evocation of an ambiguous period in Soviet history," Marina Razbezhkina's debut film HARVEST TIME is a beautiful portrait of a woman living in a small Russian village after World War II. More than a story of survival against ethics, or individuality against collectivity, HARVEST TIME is a piercing meditation on family unity. - Written by Anonymous

Shurochka, the film’s hero, spends her life walking from one village to another in order to weigh tractors. Yet, this makes just one part of her existence. She dances to Utiosov’s songs, she smiles to the pictures of old Soviet actresses and shows a wonderful taste for life amidst the lonely provincial disorderliness.