Shûsaku Mutô

Pinku from 1974.

Roman Porno from 1972.

Oman travel from Shanghai to Japan in search of her mother, only to be betrayed by her companion and sold to a brothel, where she becomes a geisha and gambler.

Japanese crime film

Pinku from 1972.

Pinku from 1971.

Pinku from 1971.

The roaming outlaw Okayo, also known as Benten due to the prominent tattoo of the Buddhist Goddess of Love emblazoned across her back. On the run from her persecutors, who seek to claim the tattoo and its skin canvas as a bounty, Okayo finds a safe haven in the arms of the mysterious shakuhachi (bamboo flute) playing Seigaku, himself tattooed with the image of Kisshoten, the Goddess of Prosperity.

Pinku from 1970.

Pinku from 1970.

Pinku from 1969.

Pinku from 1969.

When a prostitute at a love hotel passes out drunk, the voluptuous madam who owns the establishment must serve in her place.

Set in the Edo Era, the film opens with a group of women being convicted of various crimes. The rest of the film is given to graphic depiction of the tortures the women endure as part of their sentences.

Pinku from 1968.

A madman is on the loose, raping and murdering women and sometimes engaging in necrophilia. After one woman manages to flee the criminal before he has killed her, she goes to the police for help in bringing him to justice. The criminal targets the woman for murder.

Pinku from 1967.

While meeting a prostitute a former box-champion recalls his past life.

Pinku from 1967.

Tomoko suffers at the hand of her husband, Arakawa, who practises sadistic sex with her and various other women. After Arakawa dies suddenly, Tomoko is at first relieved, but then discovers that she is incapable of enjoying sex unless she is in a masochistic position.

Pinku from 1966.

Pinku from 1966.

Pinku from 1965.

This was the pink film debut of Masayoshi Nogami, one of the most popular and prolific actors in the genre. Over the next 47 years, until his death in 2010, he would appear in hundreds of the films, and direct at least eighteen.