Danny B. Landres

Calamity Jane tries to help Buffalo Bill Cody and Wild Bill Hickock stop an Indian war.

A newlywed woman is alone in her home during a devastating storm. As she waits for her husband to return, she is besieged by menacing sounds throughout the house, power outages, a jumpy pet black cat, and a creepy cabbie. After much deliberation, she decides to investigate a strange disturbance in the storm cellar.

The town of Primrose, Arizona is beset by outlaws, so the towns people hire Fletcher Bissell III (A.K.A. The Silver Dollar Kid) as their new sheriff. Fletcher is so cowardly the townsfolk are sure that the local outlaws will be too proud to gun him down. This proves to be the case, and the outlaws hire their own cowardly gunfighter, Chicken Farnsworth, to go up against The Silver Dollar Kid. Written by Jim Beaver

Test space rockets exploding at liftoff and increased reporting of UFO sightings culminate in a direct attempt by alien survivors of a dead, extra-galactic civilization to invade Earth from impervious flying saucers, using ray-weapons of mass destruction.

High Tor is a 1936 play by Maxwell Anderson. Twenty years after the original production, Anderson adapted it into a television musical with Arthur Schwartz. Anderson first considered a musical adaptation of High Tor for television in 1949. He and John Monks Jr. adapted the play as a made-for-television musical fantasy in 1955, with music by Arthur Schwartz and lyrics by Anderson. High Tor was filmed in November 1955 by Desilu Productions at the RKO-Pathé Studio and broadcast March 10, 1956 on the CBS television network, as a 90-minute episode of the series Ford Star Jubilee. Bing Crosby, Julie Andrews, Nancy Olson, Hans Conreid, and Keenan Wynn starred in the film, produced by Arthur Schwartz, and directed by James Neilson.

The spoilt young son of a wealthy railroad owner manages to get himself lost in the middle of nowhere. He is found by a cowboy on a cattle drive and the lad must start learning the hard lessons of working in a team if he wants to make it to San Diego.

In 1866, a new gold discovery and an inconclusive conference force the U.S. Army to build a road and fort in territory ceded by previous treaty to the Sioux...to the disgust of frontier scout Jim Bridger, whose Cheyenne wife led him to see the conflict from both sides. The powder-keg situation needs only a spark to bring war, and violent bigots like Lieut. Rob Dancy are all too likely to provide this. Meanwhile, Bridger's chance of preventing catastrophe is dimmed by equally wrenching personal conflicts. Unusually accurate historically.