Gladys Hulette
Birth : 1896-07-22, Arcade, New York, USA
Death : 1991-08-08
History
From Wikipedia
Gladys Hulette (July 21, 1896 – August 8, 1991) was a silent film actress from Arcade, New York. Her career began in the early years of silent movies and continued until the mid-1930s.
She first performed on stage at the age of three and on screen when she was seven years old. Hulette was also a talented artist. Her mother was an opera star. In her earliest motion picture features she was under contract to Vitagraph Studios. There was a stigma for Broadway theater actors to be seen in motion pictures when silent films first began to be made. Hulette later discussed this, saying the picture heroes were mostly Coney Island life savers. One company prevailed upon a leading stage actor to play the role of Hamlet on screen. This began the influx of more Broadway actors into the new medium.
By 1917 Hulette's films were being produced by leading director William Parke. In that year she made her most popular film to date, Streets of Illusion. Playing the part of Beam, Hulette's co-stars included Richard Barthelmess and J.H. Gilmour. Parke owned theatrical companies and assisted Hulette in making one hit after another.
By 1921 she was a veteran of the motion picture industry. She again played opposite Barthelmess, this time in Tol'able David. She played the ingenue part of Esther Hatburn. In an interview she said she wished for no different type of roles than the one she played in this film. Later she sought comedy-drama parts which she portrayed in Jack O' Hearts (1926) and A Bowery Cinderella (1927). Hulette made her debut in sound films in Torch Singer (1933). Her final film appearances came in Her Resale Value (1933) and with uncredited roles in The Girl From Missouri and One Hour Late, both from 1934.
Nightclub Patron
When she can't support her illegitimate child, an abandoned young woman puts her up for adoption and pursues a career as a torch singer. Years later, she then searches for the child she gave up.
The Widow's Secretary
Charley needs $10,000 right away. Mrs. Schwartzkopple has inherited $2 million from her late husband and wants to marry a younger man. Mr. Blaylock, her attorney, sees a way to solve both their problems, and keep control of her $2 million.
Doris Merrick
A good Tod browning movie but without Lon Chaney. Anyway, the story sounds here quite strange and dark. Mystery and drama fans will be delighted by this story of a young eastern european woman hired to the new world. This one is quite rare on TV, so if you can don't miss it !
Mary Moore
The Pride of the Force s a 1925 silent crime film
Gilda Hart
Gilda is a crook who wants to go straight, but her pals keep holding her back. She moves to Hollywood to begin anew but the old gang follows behind. Can she stop them from ruining her new life?
'Miss'
After 15 years of searching, Bud Watkins finally has his revenge on the cattlemen's gunman who killed his homesteader foster father, Pop Watkins. Bud finds refuge from the sheriff at the ranch of The Spider, falls in love with the bandit's daughter, "Miss," and is betrayed to the sheriff by his rival, Steve Lanning. In an attempt to escape, Miss is shot and Bud risks discovery to get a doctor from town.
Margaret Selfridge
Early film adaptation of a popular 19th century melodrama. The daughter of a wealthy man secretly marries a man below her station—one whom her father violently disapproves of. The father, in an excess of parental concern, separates the lovers by sending his daughter away so that she might forget her lover, unaware of their married state. During this time, she gives birth to a daughter. After some months, the young mother returns to her family manor and presents her father with his new granddaughter, which causes a most unfortunate scene. Unbeknownst to the young woman, her enraged father falsely accuses his son-in-law of theft and has him incarcerated in order to separate the lovers in an irrational attempt to force his daughter to forget this "unworthy" young man.
Ruby
Brandon, a surveyor, dreams of building a railway to the west. He sets off with his son, Davy, to survey a route. They discover a new pass which will shave 200 miles off the expected distance, but they are set upon by a party of Cheyenne. One of them, a white renegade with only two fingers on his right hand, kills Brandon and scalps him. Davy is all alone now.
Nancy Yeulette
It is a remake of a 1913 film of the same name directed by James Gordon and a 1916 William Farnum Fox feature titled A Man of Sorrow and based on the play Hoodman Blind.
Vittoria Spadoni
The dashing but arrogant Prince Michael Fedor Lubimoff has to flee Tsarist Russia after falling into disgrace and settles in Monte Carlo, where he resumes his life of debauchery while World War I ravages the fields of Europe… (Partially lost film; reels 3 and 9 of a total of 11 are missing.)
Natalie Nevins
silent drama featuring Betty Blythe, Robert Frazer, and Gladys Hulette
Mayflower
Myra Nell Drew
Countess Margherita is a Sicilian girl who is about to be married, but Caesar Maruffi, the head of a criminal syndicate, wants her for himself. He arranges to have the bridegroom assassinated, and Norvin Blake, a young American (Robert Elliott), almost loses his life in his attempt to save him.
Esther Hatburn
Young David Kinemon is a good-natured, easy-going lad in a mountain village. Circumstances force him to take his brother's place as mail carrier for the community, and this brings him into deadly contact with the vicious Hatburn brothers.
Susie Simpkins
Susie organizes plays to benefit the Red Cross. She marries her hero, Robert, but finds out he did it to avoid the draft. She begs to be taken in his place and is soon captured by the enemy. Will Robert become the hero she believed he was?
Mary Flynn
Mary's supposed father, Syd, trains her to believe theft is justifiable. Caught robbing a man's house, Mary escapes and Syd is jailed. Mary begins working as a locksmith. When she meets the man again, will he believe she's changed?
Lucy Carnaby
The affluent Carnabys have now dwindled in fortune and family, leaving just Lucy and her brother, Gordon in financial straits. Situations escalate as they struggle to pay their bills and deal with Gordon's gambling debts.
Prudence
To her aunt's dismay, Prudence isn't interested in society life. She'd rather listen to the butler's tall tales of being a pirate. Nixed from a boat trip, she rents a schooner, recruits a crew and raises the jolly roger.
The Shine Girl
An optimistic girl survives city life as a shoe shine till she ends up in children's court. Just as she helps her geranium, Sally, to grow, a kindly judge sees her potential and takes her to his mother's country home to flourish.
Lady Alice - The Earl's Ward
Based on Browning's poem, a widowed Duchess raises a son that decides to abandon modern ways and act like it's the medieval days. When he wishes to marry, a young woman is found and plays along believing it's all a joke.
Mary Murdock - Kent's Ward
Roy Conover has just returned to his village home from college.
Mr. Meekley, a baseball fan, has a flat tire on his way to a pennant game. He remains determined to make it to the game regardless of this and further setbacks. The film's climax was shot at a pivotal game between the New York Giants and the Pittsburgh Pirates.
Modern Sweetheart
The story of this film begins with the ominous day on which Lord Bellomont gave William Kidd a commission to rid the seas of pirates. Instead of complying with Lord Bellomont's desires, Kidd immediately commenced a series of piratical attacks at first on French and Spanish vessels and later on ships of all nationalities indiscriminately.
Jack
We see Jack and his mother very poor and the project of selling the cow discussed. Jack meets the familiar figure of the butcher who bargains with him for the cow and finally Jack consents to part with the animal for the wonderful beans which will grow up overnight until they reach the sky. He takes them to his mother, and, of course, she is heart-broken and throws the beans out of the window. The next morning the vine not only covers the window, but reaches far above the top of the house out of sight in the clouds, and we see Jack start to climb upward. Upon arriving at the giant's castle Jack meets the ogre's wife, who towers majestically above him, and after some parley is invited in, on his plea of hunger. Before he can be served the giant is heard and Jack is hidden in the kettle. The giant comes on and then follows the familiar scenes in which the ogre calls for his bags of gold, his magic harp and the wonderful hen that lays the golden eggs.
One of the Children
In the first scene we see a group of children at a window waiting for the arrival of their father. Following this we learn that the little family lacks a mother. The next scene brings us to a theater-box party. The father of the little family meets another woman. It soon becomes evident that he intends to marry again and at last he brings this other woman to the house. While he is present, she seems to be fond of the children, but once he is out of the room we see that her fondness is hardly skin-deep. Soon the mother's picture is removed from over the fireplace and evidently the new wedding will take place. Little Margaret, taking care of the children, finds them hard to amuse one day, and going up into the garret, finds some old clothes, in which they all dress. By chance she puts on the very costume which was used when her mother posed for the big portrait, now absent from its place over the mantel, and so it happens that when the father comes home at night.
Lorna Dugal, the little daughter of an English nobleman, is carried off by her father's enemies, the Doones, when she is five years old. Sire Ensor Doone had been banished from court, and he and his family had established themselves in a well-protected valley, becoming outlaws and highwaymen.
Alice
Made by the Edison Manufacturing Company and directed by Edwin S. Porter, the film starred Gladys Hulette as Alice. Being a silent film, naturally all of Lewis Carroll's nonsensical prose could not be used, and, being only a one-reel picture, most of Carroll's memorable characters in his original 1865 novel similarly could not be included. What was used in the film was faithful in spirit to Carroll, and in design to the original John Tenniel illustrations. Variety complimented the picture by comparing it favorably to the "foreign" film fantasies then flooding American cinemas.
The story begins with the finding of a wonderful peach which comes floating down a small stream and is brought to shore by a little Japanese woman, who takes it to her home. It there transpires that she and her husband are still mourning the loss of a baby, and the wonderful peach when it is cut brings healing to their sorrow, for as the father's hands separate the two parts of the luscious fruit, between them miraculously appears the figure of a tiny baby.
Puck
The worlds first screen adaptation of a Shakespeare play.
The Elder Fairy
A smoker falls asleep, and two mischievious fairies play with his pipe. He discovers this, and imprisons them in a cigar box. He removes a flower from the box, which contains a fairy smoking a cigarette. Next, he leaves briefly while his smoking paraphenalia clears itself from the table and the flower reassembles itself into a cigar. He lights the cigar, then breaks a bottle containing the fairy, who interacts with him in various ways reeling from his cigar smoke, building a bonfire that he extinguishes, etc.
Lucia Morgan
In the prologue Sharon Kimm and Mickey Reid are childhood friends in a tenement neighborhood but are separated when Sharon is placed in an orphanage. In the story we see Sharon as a young Hollywood star whose quick rise to fame leaves her self-centered, superficial, and a spendthrift. Ironically, the film that skyrocketed her to fame was written by Mickey. But her success is brief; and when it comes crashing to earth, Mickey is there to pick up the pieces.
