Francesco Di Giacomo

Pablo’s life is ruled by drugs and by the intense and oppressive relationship he has with his mother, a former cocaine mule who escaped from Colombia and with whom he shares a small house in the outskirts of Rome. After her death, following her relapse into drug addiction caused by his emotional involvement with a young Colombian girl mixed up in the smuggling ring, Pablo’s guilt pushes him to try and bring her ashes back to Colombia. When the embassy denies his request on the basis of the fake identity and passport of his mother, the protagonist will be forced to tackle the journey by ingesting ovules containing ashes instead of drugs and he will find himself in his home country for the first time, desperately looking for redemption and his mother’s house on the Madgalena river.

A young orphan escapes the realities of her life by fantasizing about, and then entering, a fairy tale world.

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists

These young women are an odd couple. Julie is quick-witted and stubborn. She celebrates idleness and even voluntarily checks into a psychiatric clinic. Nurse Agnes, on the other hand, is always eager to do the right thing and to meet everyone's expectations of her, which is not always easy. When the two of them accidentally meet one day, odds are they won't get along. But they quickly feel attracted to one another, despite their enormous differences.

After Mirta dies of a drug overdose with her lover, she resuscitates alone and discovers she's part of a violent world she never knew existed.

The tale of an individualist proletarian in a time marked by the rise of mass political movements. In early 20th-century Italy, illiterate sailor Martin Eden seeks fame as a writer while torn between the love of a bourgeois girl and allegiance to his social class.

A man wakes up one morning with an annoying ringing sound in his ears. A note on the fridge says: "Your friend Luigi has died. P.S. I took the car". The problem is that he does not even remember who this guy Luigi is. This is just the beginning of a tragicomic day during which he will be plunged into the folly of the world. One of those days that changes your life forever.

When Deborah's ex-husband, a popular neomelodic singer, loses his life in a stage dive, Deborah worries for her eleven-year-old son, Ciro, who is exhibiting signs of depression. Searching for a solution, Deborah takes Ciro to see Tommaso, a shy child psychologist. During the course of their visits, Ciro confesses that it's not his father's death that has got him down, it's his love for his classmate, the beautiful Ludovica. The two make a deal: Tomasso will help Ciro to win the affections of Ludovica, while Ciro gives Tomasso a hand at having a chance with his mother.

In the vast rooms of a beautiful Sicilian villa, Anna receives an unexpected guest. Twenty-something Jeanne has arrived from France, declaring herself to be the girlfriend of Anna’s son, Giuseppe, who has invited her to the house to spend Easter together. But this is news to Anna, and Guiseppe is not yet there...

A woman, a man, two cultures and years separating them: will Adriana and Mohamed overcome the prejudices of the world around them? A sincere love story in the heart of Southern Italy.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

The film depicts the first flaming signs of love in human life. The characters are all ten years old and attend the same hockey and figure skating club in a small village set among the Italian Alps. The theft of a medal will trigger an adventurous escape to Moscow, where our six main characters will learn the first skirmishes of love and find new fiancés.

L'amore e basta looks at the relationships of nine gay and lesbian couples. How can one love, today? The answers given by Stefano Consiglio and the couples he met in four European countries are scandalously normal, simple like the feelings of a group of children who open this story of many voices. Can homosexual love be lived in the harmony, clarity, contradictions, passions and duration that have always been common models in speaking of feelings? The incredible naturalness of the subjects in the film is powerful and destined to leave an impression on our reflections. As are the shame of marginalization, fear and diffidence of which Aldo Nove speaks in the brief novella that precedes the life stories that weave the plot, in between the explosions of color of Ursula Ferrara’s animated designs.

Documentary about Sergio Leone

For centuries, a secret Order of priests has existed within the Church. A renegade priest, Father Alex Bernier, is sent to Rome to investigate the mysterious death of one of the Order's most revered members. Following a series of strangely similar killings, Bernier launches an investigation that forces him to confront unimaginable evil.

The young priest Father Giulio returns to Rome, his hometown, after a long pilgrimage. Don Giulio hopes to live peacefully with his family and his friends, but discovers that many of them are depressed or frustrated, and some suicidal.

Explores the complex relationship between the spirit, body, and mind. The film is a nightmare with closed eyes because it counts among the most terrible moments of my life, my second exile, which lasted a very long time. Inspired by an ancient Hindu legend.

The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.