Marie Menken

Marie Menken

Birth : 1909-05-25, New York, New York

Death : 1970-12-29

History

Marie Menken was born Marie Menkevicius in New York City on May 25, 1909, the daughter of Catholic Lithuanian immigrants. She grew up in Brooklyn with a brother and a sister, in a home used to frequent financial difficulties. Both she and her sister Adele later changed their surname to Menken. Marie Menken and Willard Maas had got married in 1937, moving into a Brooklyn penthouse at 62 Montague Street which they would inhabit until their deaths. She died on December 29, 1970. Four days after her death, on January 2, 1971, Willard Maas died.

Profile

Marie Menken

Movies

Notes on Marie Menken
Herself (archive footage)
A look at avant-garde filmmaker Marie Menken.
Diaries, Notes, and Sketches
Self
An epic portrait of the New York avant-garde art scene of the 60s.
Excursion
Director
A boat trip with friends round Manhattan, shot in single-frame mode
Moonplay
Cinematography
An expansion upon an idea put forward in Marie Menken's film Notebook; single-frame footage of the moon shot on various nights, blinking and darting around within Menken's field of vision.
Moonplay
Director
An expansion upon an idea put forward in Marie Menken's film Notebook; single-frame footage of the moon shot on various nights, blinking and darting around within Menken's field of vision.
Watts with Eggs
Director
"By 1967, Menken had become interested in the work of Fluxus artist Robert Watts and made a short animation piece, Watts with EGGS, in which she animates his chrome-casted Box of Eggs. The film opens with lights reflected in the eggs (of course), then, through single framing, pixilates a man's hand arranging eggs in different patterns. The hands (those of John Hawkins) fill the box back up with eggs. Next, the eggs do the same routine, but more magically, more serenely, without the assistance of the hands. Menken also introduces a string and a feather duster into animated action, so that the eggs, one by one, seem to be coming directly out of the duster (objects infect objects). By the end, the eggs are magically back in their box." Melissa Ragona
Alla ricerca del miracoloso
Camera Operator
In the Search of the Miraculous is a multi-levelled story realized with extremely personal techniques and with the kind of atmosphere of Poetry and Introspection, only a poet could create. It is, in fact, the story of a poet searching himself through his love for a girl, and of the girl searching for her father. Obsequious to the iron rules of the avant-garde, the film has neither a beginning nor an ending it is a series of moods, it is a search which is at the same time spiritual and concrete, it is a moment in the life of two people. (Donatella Manganotti)
Chelsea Girls
Mother
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Sidewalks
Director
Photography: Willard Maas and John Hawkins. "Looking down instead of around, while walking, finding the magic patterns in the pavements of a city."--John Hawkins
Lights
Director
Shot over a period of three years. Marie Menken photographed New York window displays during the Christmas holiday. In order to avoid foot and street traffic interrupting the shots, Menken filmed from midnight to 1:00 in the morning, but had to keep the camera under her coat to keep it from freezing.
Andy Warhol Screen Tests
Self
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Andy Warhol
Cinematography
Andy Warhol is a lyrical exploration of Warhol's creative process by filmmaker, painter, and actress Marie Menken. Using a hand-held camera, Menken captures Warhol and his assistants, including Gerard Malanga, as they work at the Factory. The result is an intimate portrait of the artist in the process of creating some of his most famous works, including the Brillo boxes, the Jackie series, and the Flowers silkscreens.
Andy Warhol
Director
Andy Warhol is a lyrical exploration of Warhol's creative process by filmmaker, painter, and actress Marie Menken. Using a hand-held camera, Menken captures Warhol and his assistants, including Gerard Malanga, as they work at the Factory. The result is an intimate portrait of the artist in the process of creating some of his most famous works, including the Brillo boxes, the Jackie series, and the Flowers silkscreens.
The Life of Juanita Castro
Juanita Castro
A playwright taunts a number of actors into improvising a truly ridiculous but subtlely meaningful meditation on Fidel Castro and his family.
Prison
Inspired by Bibbe Hansen's experiences in a juvenile detention center.
Mood Mondrian
Director
A film of a painting of a sound. Piet Mondrian's 'Broadway Boogie-Woogie' is translated into visual boogie rhythm.
Dionysus
Cinematography
In 1963 Boultenhouse wrote, produced, and directed Dionysius,which he described as a “free treatment of Euripides' The Bacchae.”It starred the dancers Louis Falco, Anna Duncan, and Nicolas Magallanes as Dionysius, Agave, and Pentheus respectively, and the experimental filmmakers Charles Levine, Willard Maas, Gregory Markopoulos, Marie Menken, Lloyd Williams and William Wood as the Chorus of Cameras. The film's score was by Teiji Ito.
Wrestlers
Writer
A wrestling match shown on television, shot on film-- A tv 'concrete'.
Wrestlers
Director
A wrestling match shown on television, shot on film-- A tv 'concrete'.
Go! Go! Go!
Director
Various forms of everyday motion in and around a city are shown at rapid speed.
Arabesque for Kenneth Anger
Cinematography
Filmed at the Alhambra in Spain in just one day, according to Marie Menken. Arabesque for Kenneth Anger concentrates on visual details found in Moorish architecture and in ancient Spanish tile. The date 1961 refers to the addition of Teiji Ito's soundtrack and its subsequent completion, but the film was likely shot in 1960 or earlier. - David Lewis
Bagatelle for Willard Maas
Director
"This is a new version of the now famous film made for her husband, the poet and film-maker. Returning from the Brussels fair, she shot this at Versailles and the Louvre. There is wit, irony and prophecy here (though perhaps not apparent to those who do not know Marie Menken and Willard Maas personally). She says only 'A more serious film than ARABESQUE, BAGATELLE attempts to synchronize into a lyric statement some observations on Versailles.' Marie Menken's fountains are the fountains of life. Marie Menken's Versailles is the Versailles of death. The beauty of this film is the alternation of the fountains and Versaille death. Only Marie Menken would have the subtlety, sensibility, sesitivity, receptivity to fuse and fetilize the classical paradoxes in such an immediate visual apotheosis." -- Charles Boultenhouse
Arabesque for Kenneth Anger
Director
Filmed at the Alhambra in Spain in just one day, according to Marie Menken. Arabesque for Kenneth Anger concentrates on visual details found in Moorish architecture and in ancient Spanish tile. The date 1961 refers to the addition of Teiji Ito's soundtrack and its subsequent completion, but the film was likely shot in 1960 or earlier. - David Lewis
Notebook
Director
A short, diaristic film; A series of impressions, animations and playful vignettes in color and B&W. Early/ Outtake footage of Menken's Lights can be seen here, as well as camera techniques she'd expand upon in later films.
Drips in Strips
Director
"Spattered paint responding to gravity, forming its own patterns and combinations of color." -- M.M.
Eye Music in Red Major
Director
"A study in light based on persistence of vision and enhancement from eye fatigue." -- M.M.
Dwightiana
Director
Menken's 16mm, stop-motion tribute to the art of Dwight Ripley was filmed in 1959 in his apartment at 416 East Fifty-eighth Street in New York. She used his drawings as flats.The remarkably contemporary soundtrack for steel drum, guitar, flute, and voice was written for the occasion by Maya Deren's young husband, Teiji Ito, and is available in his album Music for Maya (Tzadik). Stan Brakhage called Dwightiana a pioneer example of the film portrait, abstract rather than narrative (the colored pencils represent Ripley's palette). Ripley was also a botanist, and Menken's unusual title alludes to botanical nomenclature as if Dwightiana might be the name of a species as well as a work "about" Dwight.
The Gravediggers from Guadix
Director
A film by Marie Menken.
Hurry, Hurry!
Director
In this strange little film, Marie Menken photographs billowy flames superimposed over microscopic medical footage of writhing spermatozoa.
Glimpse of the Garden
Director
Experimental film showing film clips of a garden, with birds chirping for the soundtrack.
Narcissus
Sibyl
A film poem, a re-telling of the Greek myth in modern terms. In the traditional pool the water has become muddy and Narcissus finds that mirrors are more rewarding for the study of his changing reflections. There are three mirrors, each reflecting a dramatic study in self-love. The first, love that deserves the adoration of the opposite sex; the second, homosexual love that investigates itself and its own sex; the third, love that insures one a place in the present and history.
Image in the Snow
Cinematography
A young male protagonist dreams of a muscleman hero, a black dancer, and a princess who gives him a magic urn. When he wakes he rejects his mother (Menken) and wanders the cold streets, where he finds his dream characters corrupted or dying.
Image in the Snow
Mother
A young male protagonist dreams of a muscleman hero, a black dancer, and a princess who gives him a magic urn. When he wakes he rejects his mother (Menken) and wanders the cold streets, where he finds his dream characters corrupted or dying.
Visual Variations on Noguchi
Director
A voice occasionally says a word or two: "on the sidewalk" or "lithium" or a woman's name. A hand-held camera frames parts of sculptures, or moves across their surfaces, sometimes slowly, sometimes quickly, almost always in close-up. The soundtrack, in addition to the voice, is discordant music. Light and shadows are paramount. Sometimes the camera repeats up and down movements; once, a set of jump cuts brings an object closer. The music can be shrill in contrast to the sculptures. Almost entirely of wood, they are the work of Isamu Noguchi (1904-1988): Abstract, usually smooth and rounded (but not always).
The Geography of the Body
Cinematography
A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.
The Geography of the Body
Body
A quotation from Aristophanes, "The desire and pursuit of the whole is called love," precedes views of a man and a woman's bodies, often in extreme close up. Off-screen, a voice recites fragments of oracular literature and purple prose. We see an eye, an ear, a mouth, a tongue, bits of hair, a hand, the tips of fingers, toes. Occasionally, the frame includes a larger scape of a body: a chest, a back, a breast. Usually the camera is stationery; sometimes, it moves across a body, remaining in close up. They hold hands for one moment. The bodies are without clothes; no genitalia are visible.