Maria D'Incoronato

Michele criticizes the film industry and its inhabitants, and is particularly embattled with a Neapolitan director making a musical about the 1968 student demonstrations. At the same time, Michele has a creative block and struggles to finish his film titled "Freud’s Mother." Nanni Moretti’s self-inquiry into filmmaking, political ennui, and men’s relations with their mothers.

A reporter tries to stop the crash of an aircraft after uncovering an airline's plot to save their business by sabotaging Concorde flights and have them decommissioned.

An episodic satire of the political and social status of Italy in the seventies, through the shows of one day of a television channel. An English language lesson turns into a killing of a black dignitary of an embassy by a CIA agent and then into his own killing by another colleague. In a television film, the police are befooled by a fake bomb and put a real one in order not to be derided by the public. In a film inquisition show, the bishop of Naples speaks highly of the importance of the family, but a child who lives a miserable family life kills himself. In the debate that follows it is proposed that they should eat the children, as Swift had said. In the next episode, a general who is in the toilet is called for the NATO parade, but the flasher breaks and in his effort to fix it, he dirts allover and kills himself. In a children's show an inspector finds excuses and delays the arrest of a powerful man...

After years of sexual humiliation at the hands of her sadistic husband and his friends, a wealthy heiress struggles to regain her sense of identity. To that end, not only does she become ruthless in business, but also delights in sexually dominating her young secretary, Anna. When she attempts to exert her sexual power over a blythe traveler, Peter Smart, he turns the tables on her, and she finds herself at the mercy of an unfamiliar emotion: Love.

The aging writer Aurelio Morelli is disillusioned: although the critics like his books, they are barely read. He develops hatred on youth and their depraved moral. One night he goes with a callgirl - and kills her. The police doesn't have a clue, only the unscrupulous sensational journalist Bossi suspects him. Instead of naming him to the police, he persuades Morelli to write about the murder for his paper. Morelli uses the occasion to write his memoirs, in which he confesses lots of other crimes before this last one...

Professor Ricardo Rossi is an uncompromising moralist and a paladin of Catholic morals. He is understandably baffled when he finds his wife Elisa in bed with another woman (whom Rossi mistakens for a man). Furious, he poisons his wife and throws her body into a lake, then brings home a prostitute, Eva, to replace her. He also begins an affair with his niece Barbara. But Elisa is not dead, as Rossi soon finds and she is plotting with Eva to get rid of him. Rossi is more precise this time and shoots the two women dead. However, there is a complication and more deaths ensue...

Fabio Testi is an undercover cop doubling as the bodyguard (hence, “Gorilla”) of a cantankerous middle-aged industrialist targeted for extortion.

A string of violent jewel robberies force Police Inspector Parrino to get rough with the city’s criminal scum. Things take a turn for the worse when he’s confronted with the murder of an prostitute.

Bruce Liang plays a Chinese Kung Fu movie star, who during his free time carries on a one-man crusade against drug dealers. The villains trick Liang into signing up to appear in a new martial arts movie. The plan is to kill Our Hero while the cameras are running, and make it look like an accident.

Gianni Garko stars as the Holy Ghost, a supernatural gunfighter dressed in white and with a dove sitting on his shoulder. With his sidekick (Chris Huerta), the Holy Ghost rescues some farmers from the fortified prison of the evil General Ubarte, then raids the castle again for gold treasure aided by some local prostitutes.