Niels-Henning Ørsted Pedersen

World Premiere of Oscar Peterson's Easter Suite for Jazz Trio specially composed for this recording Easter Suite for Jazz Trio by Oscar Peterson in nine movements: 1- The Last Supper, 2- The Garden of Gethsemane, 3- Denial, 4- Why have you betrayed me, 5- The Trial, 6- Are you really the King of the Jews?, 7- Why hast you forsaken me?, 8- Jesus Christ lies here tonight, 9- He has risen

Jazz Icons: Sonny Rollins features two intimate concerts filmed in the '60s for Danish television at the pinnacle of one of his most creative periods. Cast: Sonny Rollins ... Self / Saxophone Alan Dawson ... Self / Drums Kenny Drew ... Self / Piano Niels Henning Ørsted Pedersen ... Self / Bass

A comprehensive history of European Jazz, exploring the origins of the US-influenced Jazz clubs after the Second World War, the first steps independent of American jazz and the various changes of direction that have repeatedly occurred in European jazz in the search for that "own voice" that European jazz musicians have helped to form. Featuring the great masters of European jazz such as Chris Barber, Jan Garbarek, Juliette Gréco, Stefano Bollani and Till Brönner, to name but a few.

Improvisational jazz performance filmed in 1950 by Gjon Mili plus Duke Ellington Trio filmed in July 1966, Count Basie at the Montreux Jazz Festival 1977, Joe Pass 1979, Ella Fitzgerald 1979, and Oscar Peterson at the Montreux Jazz Festival 1977.

A documentary about context in modern painting. A modern painter is shown at his work and an insight given into modern figurative art and its conceptive origins. The film follows the painter Tryggvi Ólafsson at work, both in his homeland, Iceland, and in Denmark where he lives. The account is in part biographical where it helps to analyze an ongoing creative process as it emerges in the work of a mature artist.

Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."

Dexter Gordon, Kenny Drew, Makaya Ntshoko and Niels-Henning Ørsted Pedersen perform at the Jazzhus Montmartre in 1969. Setlist: "Those Were the Days" "Fried Bananas"