Günter Kunert

At the end of the 19th century, German archaeologist Professor Bohmann is searching for the remains of the legendary island Atlantis. But he is not the only one who is trailing the myth. His adversary, the British scientist Sir Grey claims to have already found Atlantis. In different masks and guises, he sets cunning traps to keep off his adversary from finding Atlantis.

Vienna, 1813-1819: Beethoven (played by Donatas Banionis) is at the peak of his fame. Orchestras all over the world play his music, but he lives modestly and is dependent upon private patrons. Nagged by his patronizing brothers, spied upon by officials for his republican beliefs and faced by his progressive hearing loss, the composer becomes more and more isolated. Seeman’s poetic film explores the joys, heartbreak and artistic spirit of the great composer as he works on his Ninth Symphony.

In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.

In August of 1914, amidst the public ecstasy surrounding the impending war, Hans Gastl, the young son of a Munich bürger, makes a decision: he will not take part in this war. This resolution signifies a turning point in his life; a farewell to his class and his family.

A film about Jewish cemeteries in East Berlin, based on a screenplay by Günter Kunert, with text by Rabbi Martin Riesenburger. There are shots of gravestones and inscriptions – deported, murdered, perished; in Auschwitz or Theresienstadt. Commentary reminds us of the victims – "in 1933, 160,564 Jewish citizens lived in Berlin; in 1945, 3,500".

In this German drama, Brock, a railroad inspector, witnesses a robbery at a train depot. He recognizes the thief, but turning the man in would mean acknowledging he knows him, thus revealing his own complicity with the Nazi war machine. When Brock’s daughter and her boyfriend begin to question him about the incident, will the secret he’s kept for nearly 20 years finally be exposed?

Engineer Strebel′s apprentices think of nothing else but music and dancing, although they should really concentrate on their marks. Consequently, Strebel is anything but delighted with his pupil. To top it all, a TV show becomes interested in a performance by Strebel′s apprentices. To calm down their teacher, Jutta Fröhlich, who has already cast an eye on Strebel, makes him an offer: When they better their marks, Strebel would permit them to make a performance on television.