Writer
The day after the funeral of Varlam Aravidze, the mayor of a small Georgian town, his corpse turns up in his son's garden. Although it is secretly reburied, the corpse keeps returning until the police capture the local woman who is responsible. This woman says that Varlam should never be laid to rest since his Stalin-like reign of terror led to the disappearance of her family and friends.
Writer
The way home for Aleksandr Rekhviashvili is not charted in the conventional sense. It takes the viewer along some peculiar roads and across a unique landscape: Georgian history and legend, politics and social stratification, religion and ethics. Allusive, stylized and allegorical from beginning to end, his long-banned The Way Home is in part a tribute to Rekhviashvili’s favorite director, Pasolini, especially to The Hawks and the Sparrows (1966). Together with the short film Nutsa (1971) and the widely acclaimed Georgian Chronicle of the 19th Century (1979; SFIFF 1983), The Way Home closes a triptych of films that represent Rekhviashvili’s poetic contemplation of Georgia’s past. It makes extensive use of poems by Bella Akhmadulina (the major female poet of the cultural ‘thaw’ of the ’50s and ’60s and a Georgian by descent), and of sets by Amir Kakabadze. Like other films in the trilogy, The Way Home is stunningly photographed in black-and-white.--Oxymoron
Writer
A poetized chronicle of the events taking place in one of the Georgian villages in the late 19th century, when, to save a forest, the innumerous intelligentsia could rally the people and oppose the industrialists…
Associate Producer
This poetic parable is part of Tenghiz Abuladze’s cinematic triptych: “The Supplication” – “The Wishing Tree” – “Repentance”. The place is Georgia at the beginning of the 20th century. That’s how director Tenghiz Abuladze described his film: “’The Wishing Tree’ is a film about the people lit up by a dream. Every character has its own ideal. One is worshipping the skies, another the earth, some idolize the body, others elevate the spirit. Some destroy the body, others the soul…” Marita, the film’s heroine, arrived here to live with her aunt. She meets a poor young lad, Gedia, and falls in love with him. But her relatives are determined to marry the girl off to a local rich man…
Screenplay
Brave sons of Khevsureti and Kisteti fight against each to protect their homelands. But, they confront faulty domestic traditions to respect enemy’s true prowess and find themselves in conflict with own compatriots.
