Declan Conlon

In a windswept fishing village, a mother is torn between protecting her beloved son and her own sense of right and wrong. A lie she tells for him rips apart their family and close-knit community.

The decades of struggle in Northern Ireland left deep wounds that have not yet healed. Criminal psychologist Cathrin Blake is faced with the delicate task of mediating in a perpetrator-victim conversation.

The psychologist Cathrin Blake actually wants to withdraw from her work for the police. After a mysterious murder during the ghost parade of the "Samhain" harvest festival, however, Superintendent Kelly asks for her support. It's not just about the bloody act, but also about the disappearance of Holly Reid, the victim's friend.

On the site of a former children's home, the remains of ten babies and one adult are found. At the dead man's ring, a former psychologist recognizes her missing husband. But the police do not believe her and so she goes on her own tracks.

An alpha female barrister complicates her professional and personal life when she falls for a client.

We Ourselves is an unconventional drama about isolation and belonging, about being alone with one’s own thoughts while being part of a shared experience, culture and nation. It takes us into the minds and hearts of a group of idealists and careerists as they take their separate paths in life. These people will tell you that they are the best of friends. They believe they are from the same country, yet in the privacy of a room, they are apart, alone and in a state of exile.

Sacrifice is the story of consultant surgeon, Tora Hamilton, who moves with her husband, Duncan, to the remote Shetland Islands, 100 miles off the north-east coast of Scotland. Deep in the peat soil around her new home, Tora discovers the body of a young woman with rune marks carved into her skin and a gaping hole where her heart once beat. Ignoring warnings to leave well alone, Tora uncovers terrifying links to a legend that might never have been confined to the pages of the story-books.

Packed off to a foster home after her father is insti­tu­tion­al­ized, a rebellious young Irish girl resolves to bust her dad out of the hospital where he's been confined.

After being threatened during a confession, a good-natured priest must battle the dark forces closing in around him.

Based on the Japanese novel 'Loving the Dead' from acclaimed author Kei Oishi, the film centres on a damaged young man who, after shutting himself away for ten years, is forced to venture out into a world that he no longer understands.

Three people — a blue-collar American, a French journalist and a London school boy — are touched by death in different ways.

A sexy romantic drama in which, at the outset, the characters are leading their own lives in very different worlds, though each is beset by niggling discontentment. Michelle (Renée Weldon - IFTA Best Actress) is a fast-rising young Dublin lawyer with a smart apartment overlooking the Liffey, but dissatisfied in her relationship with a doctor (Declan Conlon). Conor (Aidan Gillen) is lonely and unattached, dutifully running the traditional Dublin pub owned by his hard drinking father (Eamon Morrissey). Late one night, Michelle bursts into the bar and orders a triple vodka. The consequences are explored and developed with an honesty and credibility as these disparate characters tentatively draw closer to each other. They become lovers. There is a strong sexual attraction. But there are complications along the way and the path to love can be rocky. Something's got to give. And what's the trouble with sex? You'll see...

The film is an edgy black comedy set in swinging London in the late 60s. The All Saints girls play three street wise sisters who head 'up West' to rob and generally cause trouble.