James Paris

In 1821, in Cinema, he records the cinematic representations of the Revolution from the first decades of the 20th century. until the present day. Despite the fact that the Revolution of 1821 constitutes the founding act of the modern Greek state, as a subject matter it is underrepresented in national film production. This is one of the points on which the research looks, which simultaneously examines the periods of concentration of films on the subject of the Revolution or, respectively, the periods of its collective silence. The purpose of the documentary is to study the ideological discourse and the cinematic language of the films with the theme of 1821, in order to highlight the function of the cinema as a carrier of Public History and as a factor in shaping the collective historical consciousness.

A pirate takes over a munitions ship, killing the captain, and when the crew mutinies and abandons ship, is left aboard with the captain's widow.

A young girl goes with her father and stepmother, with whom she has a lesbian affair, for vacation on a small island and a local fisherman gets between the two lovers.

A soldier runs away from the horrors of war, finds love with a virgin farm girl and a mistreated housewife, and will find that it is difficult to survive the battles of sex and love.

The soldier Alessio escapes from the horrors of the war. He meets a young woman and hide in her home.

The picture is set during Battle of Greece and Crete Battle in 1941, after the fall of the mainland when the Germans entered Athens.

When good girl Nadia investigates her sisters death she finds out that sadistic pimp Nick is behind it all so she straps on the leather and whips and beats him at his own games.

We are in 1942, in the middle of the German Occupation, on an island opposite the coast of Asia Minor, where a mature woman, Katerina Rodeli, cares for a wounded resistance fighter named Kanaris. In her memory, there are images of the past, the panic of the Asia Minor catastrophe and especially the entrance of the tsets in her village. There she lost her three-year-old son, Konstantin, whom he never ceased to look for. However, the village's mackerel maharagrite handed it over to the Germans and, in the face of the danger, they were arrested along with the wounded and a boat ride on the Turkish coast to find themselves immediately enclosed in a refugee camp. His commander is a tough second lieutenant, Osen, who is bought by the English consulate of Izmir to transfer the fugitives to Egypt.

A deliberate injustice forces an orphaned music student to leave home, only to land a job as a pianist for an affluent woman's canaries. Now, it's time to turn the page. Can she find a bright future amid two hundred and one songbirds?

A God-fearing young man refuses to sell his, rich in ore, pasture to a mining company. So an agent of this company creates a scam of a so-called miracle in order to convince him.

Originally edited in two versions. Version I, 70 minutes; version II, 90 minutes. (The only known existing version is not Markopoulos’s edit and contains additional titles, music and voice-over added later than 1961. 65 minutes.) Filmed in Mytilene and Annavysos, Greece, 1958. Existing copy on video, J. and M. Paris Films, Athens.

In Thebes in ancient Greece, King Oedipus kills his father and marries his mother Jocasta, having two sons - Eteocles and Polyneices - and two daughters - Ismene and Antigone. King Oedipus dies a beggar in the exile after gouging out his own eye, and Eteocle agrees to reign in Thebes in alternating years with Polynices. However, he refuses to resign after the first year and Polynieces raises an army and attacks Thebes, and they kill each other. The ruler of Thebes Creon decrees that Eleocles should have an honorable burial while the body of the traitor Polyneices should be left on the battlefield to be eaten by the jackals and vultures. However, Antigone, who was betrothed to Creon's surviving son Haemon, defies Creon's orders and buries her brother. When Creon is reported of the attitude of Antigone, he sentences her to be placed in a tomb alive. Antigone hangs herself in the tomb and Haemon tries to kill his father first and then he kills himself with his sword...