Julia Daschner

Movies

Seven Winters in Tehran
Director of Photography
After seven years in prison, a female student in Tehran is hanged for murder. She had acted in self-defence against a rapist. For a pardon, she would have had to retract her testimony. This moving film reopens the case.
Das Licht in einem dunklen Haus
Director of Photography
In a hospital in Hamburg, an unidentified woman is disconnected from the life-support system. While the investigators search for the mysterious perpetrator, two more men are murdered.
The Garden
Director of Photography
In the summer of 1976, a shared family yard becomes the setting, as the adults bicker over selling the garden and the kids are free to explore the mysterious neighboring lot. Then they hear about a girl that has disappeared...
My Brothers and Sisters in the North
Director of Photography
The Democratic People's Republic of Korea is a country with a very strong social cohesion and the unprecedented admiration of the people for their leader, which is absolutely unique and incomprehensible especially from a Western point of view. The native Korean director Sung-Hyung Cho tries to understand this by accompanying several Koreans from different backgrounds in their daily lives. The film shows the country and its people in a way, as it is rarely done in Western media, non-judgmental and respectful towards the people.
Lose Your Head
Director of Photography
Lose Your Head is a psycho thriller about a Spanish party tourist who gets lost in Berlin. The film is inspired by the true story of a young Portuguese man who disappeared some years ago after a night at Berghain.
Auf der Walz
Cinematography
Nina, Kerstin, Simon, Stefano and Flurin are journeymen doing their time on the road after completing their apprenticeships. They all take different paths and do it in their own way. They follow the unwritten rules of the tradition of their craft, but also their own inner compass.
Auf der Walz
Writer
Nina, Kerstin, Simon, Stefano and Flurin are journeymen doing their time on the road after completing their apprenticeships. They all take different paths and do it in their own way. They follow the unwritten rules of the tradition of their craft, but also their own inner compass.
Auf der Walz
Director
Nina, Kerstin, Simon, Stefano and Flurin are journeymen doing their time on the road after completing their apprenticeships. They all take different paths and do it in their own way. They follow the unwritten rules of the tradition of their craft, but also their own inner compass.