Iván Mora Manzano

Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?

Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?

Vicky is fisherman by day and bar owner at night. When she was a little boy her dream was to be a radio soap opera star, nowadays she dreams of falling in love again. How is it possible that a small, barren place in the third world has managed to achieve this special form of freedom and tolerance?

Tato (17), is an orphan adrift, a young rap lover. Along with his friends Pitu (18) and La Crespa (16), they seek an alternative to death and crime, through the art of hip hop and street jam battles. Tato has to run, and his only option is to leave the city and live with his grandfather Octavio (78), a flower grower, whom he does not know, and who wishes to inherit his traditions. Two genera- tions, two ways of life and a continuous feeling of loss, death and loneliness rain over Tato’s life in his struggle to survive and find his own identity.

Julia, a thirty-year-old newly separated and in search of a life change, finds two new friends. The three begin to live an intense friendship that turns into a love triangle in which their frustrations and fears of not knowing if they will manage to be who they dreamed to be when they were younger.

Julia, a thirty-year-old newly separated and in search of a life change, finds two new friends. The three begin to live an intense friendship that turns into a love triangle in which their frustrations and fears of not knowing if they will manage to be who they dreamed to be when they were younger.

When ex-mob boss Ben Myers is targeted in a home robbery, he goes on a deadly rampage of vengeance. But with his family caught in the crosshairs, Myers must finally face the consequences of his dark past.

Ale and Emma, two twin sisters spend the weekend of the elections together, perfectly knowing that they both think differently about politics.

A handmade narco sub is on the verge of sinking and losing its precious cargo due to a mechanical failure. The three crew members are forced to open the forbidden cargo cabin to distribute the weight and save the ship. Next to the cargo they find a special “gift“ for the buyer: a young girl, gagged and in terrible shape. The boat, barely big enough for three to begin with, becomes a steaming powder cake of fears, desires and greed.

Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.

Mariano Cruz Ordóñez is an Ecuadorian bullfighter at the end of his artistic career. Mariano was a figure of bullfighting in Ecuador and participated in the most important bullrings of his country and the world. The glory years have passed and prohibitions have arisen regarding bullfighting shows, and the only thing left is, with tenacity and faith, to fight against various adverse circumstances looking for a chance to move foward.

Two troubled girls, who come together as friends through their imagination of art, creating their own fantasy world where they can finally be free.

A look at the life of Toty Rodríguez: An actress who made her career in France during the 60s, a well-known Diva in Ecuador as well as an icon of the women rights. She returns to Paris with her nephew to revisit her past in a town that changed her life.

In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.

In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.

In Ecuador, in a single day, the train passes from the mountainous Andes to the tropical coast. The roads were built between 1861 and 1908 to connect the country. Until this date, the two regions live as separate countries, although the roads connect them in less than a day. The film is an observational work that talks about space and collective memory.

During the 80´s the left wing movement Alfaro Vive Carajo operated in Ecuador. The traits of this aggrupation were: critique to the orthodox political thinking, frantic growth of the organization, spectacular and clever actions, and the devastating way that the government fought them. A quarter of century later, the survivors tale the story that was hidden and disguised.

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

No Autumn, No Spring depicts modern day Guayaquil City and its invisible generation. Iván Mora Manzano’s punk ballad of rebellion, confrontation and the disenfranchised reveals the tribulations of young men and women who struggle deeply with the transition from adolescence to adulthood.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

A meeting between the daughter and the grandmother of the director, Iván Mora Manzano, at a time when the memories of one, the girl’s, were taking shape, and the other’s the grandmother’s, were vanishing. This starting point is used as a pretext to talk about other topics such as the importance of family memories and the search for memory.

Filmmaker María Fernanda Restrepo reconstructs events that led to her older brothers' murders at the hands of Ecuadorian police.

In an unknown first world airport the arrival of an ecuadorian flight is heard. The 'members of the European Union' passby migration, while the 'others', in the other line, wait. In the middle of the claims, a group of ecuadorians is arrested. They are taken to the Room, where they wait to be deported. Seems like everyone hides something, like PROMETEO the youn magician with his hands tied like a delinquent who has a 'magical' trunk as luggage. Time passes, a way of being, Ecuador happens in this waiting room. Seems like there is no possible exit. Meanwhile, a different but well-known way of life takes place. The only thing left as a promising way out is illusion.

Documentary regarding Ecuadorian militant group cum political party "Alfaro Vive Carajo" from their start in the 80s to their unexpected return to action in 2007.

November 7th, 2001. After a seventy years absence, the Ecuadorian national soccer team is close to qualifying for the first time to a Soccer World Cup. This documentary follows the events that took place during that historic date, when a whole country lived under the shadow of a soccer game.

Beatriz looks for her former partner Mercedes, but she is already with someone else. Beatriz forces her entry into his house and asks her to come back.

Esperanza and Tristeza both have to get to Cuenca. However, by an unlucky turn of events, the bus they are on gets delayed due to a worker strike. Taking their journey into their own hands, they decide to hitchhike to Cuenca. Along the way they meet interesting characters who help them re-evaluate the purpose of their journey.

A suspense thriller about a reporter from Miami who travels to Ecuador in pursuit of a serial killer known as the "Monster of Babahoyo."

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

Adaptation of Pablo Palacio short story that through a teacher and a group of his students, presents an exercise of dispersion and annihilation converted into an aesthetic object.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

After a nuclear catastrophe, a man who did not know how to continue living in silence went out to look for sounds, voices and whispers in the remains of a scorched nature.

In the middle of a laundry we discovered an improvised mechanical workshop. An older man talks with his tools. His son invades the space wanting to film it and at the same time making him an unusual proposal: rebuild a motorcycle together. The proposal baffles the father who little by little allows the son to enter into his world. The son begins to delve into questions and questions that go from the mechanical to the personal and open up seemingly hidden conflicts. Is it possible to restore a relationship like you repair a machine?