John Collier

A jazz musician falls in love with a comatose woman at a carny sideshow and takes her to his mansion to join his cabinet of sexual curiosities.

The movie begins with a disenchanted poet who, having had his fill of the world, decides to hide out in a large department store. There are many floors, dusty nooks and crannies, and forgotten storerooms where he can secret himself. He believes he has found the peace and serenity he seeks--away from humankind--in order to write his poetry. To his initial horror, he finds he is not alone. There are Others who have also sought refuge in the dark places of the department store. He quickly finds himself at the mercy of this clandestine social underclass, for none may leave and risk exposing those who have spent years in the store. What quickly evolves is a chilling tale involving the poet and a young woman who had lost her way in the store while a mere child, and who has since spent her entire life as the downtrodden handmaid to the evil matriarch who rules her clan with an iron fist.

A young poet gets the brilliant idea to live in a department store, hiding by day, and courting his muse by night where it's quiet, and he can have all his needs met. But, to his surprise, he learns his brilliant idea's not exactly original; there are other residents who dodge the night watchmen, and who keep their existence secret at all costs. And one of them is a young woman who wants to leave, but is too frightened to go. And Charles finds that he wants to show her the larger world outside.

A knight in the service of a duke goes to a coastal village where an earlier attempt to build a defensive castle has failed. He begins to rebuild the duke's authority in the face of the barbarians at the border and is making progress until he falls in love with one of the local women.

A couple is conflicted when they are offered a chance at youth. Based on John Collier's short story “Youth from Vienna”.

Before leaving on a trip to America, a man kills his wife and buries her in the basement. Once in the United States, he receives correspondence tipping him off that the murder will undoubtedly be exposed.

Just before the Nazis ascend to power in Berlin, Chris, an aspiring novelist from England, meets flamboyant cabaret entertainer Sally Bowles and an unusual friendship is born. As Sally feeds her extravagant tastes, Chris goes along for the ride, until their Jewish pal, Fritz, encounters trouble.

Passengers on an ocean liner recall their greatest loves.

It's the Hatfields vs. the McCoys in this 1949 film, with Farley Granger and Joan Evans as the hillbilly Romeo and Juliet whose forbidden romance rekindles a long-standing feud between their respective families.

After marrying her long lost love, a pianist finds the relationship threatened by a wealthy composer who is besotted with her.

A flirt tries to make her fiancée jealous by hiring a gigolo.

Robert Flaherty and Zoltán Korda shared best director honors at the Venice Film Festival for collaborating on this charming translation of Rudyard Kipling’s “Jungle Book” story “Toomai of the Elephants.” A harmonious mix of the two filmmakers’ styles, Flaherty's adeptness at ethnographic documentary meeting Korda's taste for grand adventure, ELEPHANT BOY also served as the breakthrough showcase for the thirteen-year-old Sabu, whose beaming performance as a young mahout leading the British on an expedition made him a major international star.

When her father decides to flee to England, young Sylvia Scarlett must become Sylvester Scarlett and protect her father every step of the way, with the questionable help of plenty others.