Tómas Gislason

Documentary about Danish filmmaker, sports journalist and poet Jørgen Leth who struggles after surviving a major earthquake in Haiti.

Sean lives a harsh but successful life as a criminal in Los Angeles's rough suburbs. He has, in spite of a chaotic and violent childhood, created some order in his life. As long as order is maintained, he - along with his partner in crime Peter - can ensure that his criminal life does not fall apart. But like in any Greek tragedy, things are doomed to go wrong when he one day falls in love with the waitress Lilly. Sean thinks he can bring order to her life too, but the all-consuming heroin addiction can not be tamed so easily.

Arn, the son of a high-ranking Swedish nobleman is educated in a monastery and sent to the Holy Land as a knight templar to do penance for a forbidden love.

Asst. Director Tómas Gislason and Producer Peter Aalbæk Jensen reflects on their "faecal location" when they shot Lars von Trier's Europa (1991) in Poland.

Asst. Director Tómas Gislason and Producer Peter Aalbæk Jensen reflects on their "faecal location" when they shot Lars von Trier's Europa (1991) in Poland.

Asst. Director Tómas Gislason and Producer Peter Aalbæk Jensen reflects on their "faecal location" when they shot Lars von Trier's Europa (1991) in Poland.

Memorable anecdotes about film director Lars von Trier told by people he has worked with on his films.

A fascinating look behind the scenes at the 2004 Tour de France with a penetrating insight into the hermetically closed world of professional cycling, following the Danish Team CSC's experiences.

Documentary with interviews of the cast and crew of Lars von Trier's 1991 film "Europa."

Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...

Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...

Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...

Set in the neurosurgical ward of Copenhagen's Rigshospitalet, the city and country's main hospital, nicknamed "Riget", a number of characters, staff and patients alike, encounter bizarre phenomena, both human and supernatural.

It is the adult Gustav Adolf, who tells the story of the momentous day when he as a little boy with his father and mother and the whole staircase, went to the beach to enjoy the pleasures of bathing. We are in 1930s working-class neighborhood in Copenhagen. In a backyard apartment, we meet the little working-up of small Gustav Adolf (Benjamin Rothenborg Vibe) who has great respect for his father, Axel (Erik Clausen). Father has a very lively gab and is always ready to tell a story from her exciting life - often from the time he was on the big Argentine pampas.

Tom Elling, cinematographer for Lars von Trier's The Element Of Crime (and his earlier student works, Nocturne, The Last Detail and Befrielsesbilleder) made his debut as a feature-film director with Perfect World, a collaboration with poet Peter Laugesen. Described by Elling as a "visual poem", and by Laugesen as "a collage of dreams - of bubbles or planets in the ocean or universe", the film is very much in the same visually expressive style of The Element Of Crime (indeed, the extent of Elling's contribution to the look of Trier's early works is self-evident). One of the most intoxicatingly beautiful films I've ever seen - the luminous monochromatic cinematography, hallucinatory lighting and liquid editing make this a truly astonishing experience unlike anything else.

Drama about a young Dane who has traveled to America to find the father he can hardly remember. In New Mexico he gets to know the daughter of a political-religious fanatic who runs a "survival school". The young Dane is interested in the girl and admits to school. Later, however, there will be a violent showdown with the fanatic. But was this man, in fact, his father?

A whale-boat is making its final whaling tour of the season. It pursues and catches a whale, and then proceeds home. The men working on the boat have to find themselves different employment now that the season is over. Among the crew are two friends, Grímur and Bubbi. They are well- seasoned and experienced seamen of the kind that never puts down roots anywhere. Grímur is not the kind of man to allow much to set him off balance. When he arrives on land he heads directly for the capital where he intends to make a new start and get himself involved in the night life. With him is his faithful and rather troll-like companion, Bubbi. The film then mainly concerns itself with their efforts to make some kind of contact with what is going on in Reykjavik.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

Fisher, an ex-detective, decides to take one final case when a mysterious serial killer claims the lives of several young girls. Fisher, unable to find the culprit, turns to Osbourne, a writer who was once respected for his contributions to the field of criminology. Fisher begins to use Osbourne's technique, which involves empathizing with serial killers; however, as the detective becomes increasingly engrossed in this method, things take a disturbing turn.

Set in Copenhagen during World War II, the film follows a German officer who visits his Danish mistress in the days after the occupation of Denmark has ended.

It's night. Perhaps after a dream of an intruder crashing through a window, a woman who's sensitive to light has a telephone conversation with a friend. The woman has a plane ticket from Copenhagen to Buenos Aires at 6 that morning. She doesn't want to go. Her friend encourages her to make the trip. Later, she stands in a car park with her suitcase. Flying geese fill the screen.

In 1937 the Danish communist Arne Munch-Pedersen disappeared in the Soviet Union. He was never heard from again. Sixty-two years later, another prominent Danish communist goes back to the secret archives in Moscow in search of the truth. A disheartening story of Stalin's paranoia and the price some people had to pay.

Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.

Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.