Director of Photography
At Santa Claus School, the principal has called a meeting. Lucia, her parents Julius and Claudia and everyone else at school are excited. But the tension is replaced by a shock when the headmaster cancels Christmas. He seems confused, and it soon becomes clear that he is trapped in a Christmas trauma from his younger days as Santa Claus. Lucia sets out to find out what has happened and with the help of the younger student Elias and a magical time machine, she travels back in time in the hope of saving Christmas.
Cinematography
Renowned psychologist Susanne (Signe Egholm Olsen) is caught in a living nightmare when her new client (Anton Hjejle) turns out to be a wanted serial killer.
Cinematography
Way up north in Greenland lives 12-year-old Lucia with her mother and her father, who is best known as Father Christmas. Lucia is the first girl ever in Santa class at the international Christmas School. On the day that the present machine is supposed to be started for this year’s present production, Lucia’s best friend, the reindeer herder Oscar, is accused of stealing King Winter’s magical crystal that fuels the present machine. Claudia, Lucia’s mother who has long been wary of the crude Oscar, tries to prevent Lucia from ruining her future career by defending the seemingly guilty boy. But Lucia is determined to fight injustice and escapes with Oscar to prove his innocence by finding the real thief.
Director of Photography
Kamilla, a young Danish girl leaves for Las Vegas to get married. During the ceremony she changes her mind and runs away. She is picked up by Rock, a 40 year-old loner on a motorcycle. A meeting with Rock's aunt sends them in pursuit of Rock's father. During the trip, Rock has been carrying a mysterious package, and shortly before arriving in Seattle, Kamilla discovers what the package contains...
Director of Photography
Making film wears down director Lars von Trier, but he is not able to live without them. In the documentary film this Danish auteur’s all-consuming love affection for film is portrayed. Now he is standing at a cross-road. While film as we know it is dying.
