Sergey Minaev

Sergey Minaev

Birth : 1975-01-25, Moscow, USSR

Profile

Sergey Minaev

Movies

Selfie
train bookseller
He was his absolute copy – his gestures, body language and jokes were so real, no one suspected the change. Bogdanov looked at the screen as if it was mirror. the double has taken over his tV-show, held meetings with his fans, lived with his women and had drinks with his friends. Bogdanov’s life and identity were erased in an instant. Popular, successful and cynical writer Bogdanov lost everything he has been working on for years building his career. As he clearly sees that the double is better and sincerer than he, he realizes the battle of his life is lost. the only one who wants to have real Bogdanov back is his daughter...
Selfie
Writer
He was his absolute copy – his gestures, body language and jokes were so real, no one suspected the change. Bogdanov looked at the screen as if it was mirror. the double has taken over his tV-show, held meetings with his fans, lived with his women and had drinks with his friends. Bogdanov’s life and identity were erased in an instant. Popular, successful and cynical writer Bogdanov lost everything he has been working on for years building his career. As he clearly sees that the double is better and sincerer than he, he realizes the battle of his life is lost. the only one who wants to have real Bogdanov back is his daughter...
Soulless 2
chairman of board
Max Andreev thought the best place to start a new life would be at the other end of the world. What he didn't know, is that you can't outrun your past.
Soulless 2
Writer
Max Andreev thought the best place to start a new life would be at the other end of the world. What he didn't know, is that you can't outrun your past.
The Term. Beginning of a Big Story
Himself (uncredited)
The documentary project The Term was conceived in May 2012. When the directing trio commenced mapping the Russian sociopolitical landscape, Vladimir Putin had just settled into the Kremlin for his third term. The original experimental format of “documentary bulletins,” which were published daily online, allowed for wide-ranging content; in the feature film version, however, the filmmakers focused solely on the members of various opposition groups. Nevertheless, the work’s neutral position remains and viewers have to interpret the objectively presented situations for themselves. The main characteristics of this strongly authentic movie include close contact with the protagonists, precise editing, and an effectively controlled release of information.