Ismael Kanater

Over a weekend in the High Atlas Mountains of Morocco, a random accident reverberates through the lives of both the local Muslims and Western visitors to a house party in a grand villa.

A chronicle of Gertrude Bell's life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century.

Naïm, a renowned anthropologist, wants to make a film on beautiful Mririda, a Berber poet and courtesan who mesmerizes him. At the brothel where she used to go, Naïm is struck by the beauty, the sensuous tattoos of young prostitute Adjou. He immediately feels bound in his flesh and soul to Adjou, a kind of mirror image to Mririda. Adjou’s brutal murder triggers a police investigation. In his desperate search for truth, Naïm sways between a world of imagination and reality. Lazcen Zinoun is the conductor of a film composed like a five-movement opus framed by tribal rituals and practices like the mysterious, erotic tattooing of women. He sings the hymn of freedom for women to control their own bodies in a society still paralyzed by ancient codes. He films Fatym Layachi’s goddess-like body with the same poetry and lyricism as he does the sexual passion that enflames the lovers.

Casablanca, July 1999. With longtime monarch Hassan II on his deathbed, there is an air of uncertainty weighing on Morocco - and especially on one marginalized young man, M'key. M'key finds a surrogate father figure in "pit bull" police commissioner Daoud and finds love with the enchanting Rita, but Rita is kept under close watch by her gangster brothers.

The fate of a hapless child that evolves according to the different stages of his life.

In the dark, throbbing world of underground raves, people are vanishing without a trace and Detective Hank Holten is the only one who knows the terrible truth. Vampires.