Carlos Asorey

This is a tense and intense 24-hour account of three men's lives, three befuddled mates that walk through live in chaos, through repressed and misleading sex, while closing doors and throwing the keys away, as if they wished to leave everything behind, walking towards their own perdition.

We believed in a better world, we decided to make it come true

Thirteen-year-old Ramon is on the verge of many adolescent discoveries -- and the confusion that goes along with them. Shy and awkward, he's moved from town to town throughout his childhood and believes that life is about winning and losing. But he soon learns it's all about survival. Like Ramon, Spain is in transition (President Francisco Franco is about to die); it's a time of social upheaval marked by change, illusion and struggle.

Lola, a Mexican waitress working in Madrid, befriends a 30-year-old suicidal man who has borrowed $1,000,000 to spend on his last day on Earth, knowing he will be killed anyway if he fails to return the money. After meeting Lola, however, he decides that life might be worth living after all.

This Spanish romantic comedy focuses on ad-agency career girl Lucia and her best friend, dance-teacher Maria. Maria's boyfriend is the sexist Pablo. One night Lucia puts away too much alcohol, sleeps with Pablo, and hatches a plan to have Pablo to herself by finding a new man for Maria.

Félix (Juanjo Puigcorbé), a likeable and careerist flat salesman, wants to be the commercial director of his company at all costs. The bad thing is that this position is deserved by Lola (Cristina Marcos), a young and efficient saleswoman, with whom Félix gets on terribly and who, to make matters worse, is the lover of Emilio (Joaquim de Almeida), their boss.

Arturo is married to Elena and they have four grown children, they are wonderfull but they are still living at home. Arthur is writer and that's a job that requires peace, silence and concentration, something imposible at Arturo's home. His editor convince him to make his children go out from home so Arturo start a kind of "guerrilla war" to make his sons become independent.

Two narrators, one seen and one unseen, discuss possible connections between a series of paintings. The on-screen narrator walks through three-dimensional reproductions of each painting, featuring real people, sometimes moving, in an effort to explain the series' significance.