Aleksandra Gowin

A young man crashes a school play rehearsal to prevent a group of teachers and eccentric parents from expelling his girlfriend's son.

The clash of youthful rebellion with a conservative environment. Agata arrives in a small town near Krakow. Her job is to cook for the oasis participants. Agata’s arrival causes perturbations in the three-generation family – seventeen-year-old Mirek falls in love with her, his mother, an organist at the local church, discovers the demons of the past, and his grandfather, already suffering from dementia, sees Agata as his lover from his youth.

When a pearl in the collectionof the National Museum of Poznań, Claude Monet's "Beach in Pourville", disappears and Aunt Julki is falsely accused of the theft, two children must find the picture and identify the real thief.

A duplicitous young man finds success in the dark world of social media smear tactics — but his virtual vitriol soon has violent real-life consequences.

The true life-story of Sara Góralnik, a 13 year-old Polish Jew whose entire family was killed by Nazis in September of 1942. After a grueling escape to the Ukrainian countryside, Sara steals her Christian best friend’s identity and finds refuge in a small village, where she is taken in by a farmer and his young wife. She soon discovers the dark secrets of her employers’ marriage, compounding the greatest secret she must strive to protect, her true identity.

The Ursus factory once covered 170 hectares and employed 20,000 workers, producing 100 tractors a day. Now, its buildings stand derelict and empty; half have already been demolished by investors with new plans. The symphony of mechanical sounds and gestures that is gradually built up throughout the film is produced by former factory employees. Proud of their factory, they reminisce about the huge numbers of people and the parties they had. They were a community, passionate about supporting agriculture through their factory. The Ursus tractor was well-known, not only in Poland but throughout the world.

A young girl, her new friend and his dog try to find a long-lost Picasso painting in an abandoned house before a gang of burglars seize it.

A group of misfits from a carpet shop have a chance to change their lives with the help of two marketing experts - an ex-kebab shop worker and an ex-fortune teller from a wildlife magazine.

Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.

Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.

Two girls clean places after somebody dies there. Sometimes they sell the belongings of the dead at a flea market. When they meet an odd guy who has a passion for boxes, a strange game unfolds. An unconventional love story about the oddity of ordinary things. Eccentric and natural at once.

Kuba attends an art opening with his girlfriend of two years and bumps into Mikal. The connection between these two young men is instantaneous and intoxicating, and despite opposition from all sides, he allows Mikal into his life. The results go beyond anything he could have imagined. This intimate and bold second feature from Polish director Tomasz Wasilewski captures the often-complicated consequences of finding love where others do not want it.

Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.

Daniel has just been released from prison and is trying to make a new life for himself. Between taking care of his alcoholic mother and finding a job, he might be able to find some happiness and normalcy in a new relationship.