Philipp Hartmann

Birth : 1972-01-01,

Movies

Madrasha
Director
From the 84 Days
Dramaturgy
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
From the 84 Days
Editor
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
From the 84 Days
Cinematography
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
From the 84 Days
Producer
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
From the 84 Days
Director
In March 2020, 25 young musicians from the Bolivian Experimental Orchestra for Indigenous Instruments (OEIN) came to Germany to play concerts in Berlin and Dresden. Due to the COVID-19 pandemic, the concerts were cancelled. Then, as Bolivia closed its borders, the musicians found themselves stuck in the Music Academy in Rheinsberg/Brandenburg for almost three months. Together with their German colleagues in the ensembles PHØNIX16 and noiserkroiser, they face the crisis by developing several musical projects, a large part of which involves incorporating improvisation into contemporary music.
virar mar / meer werden / becoming sea
Editor
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
virar mar / meer werden / becoming sea
Producer
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
virar mar / meer werden / becoming sea
Writer
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
virar mar / meer werden / becoming sea
Director
Water as a physical and metaphysical metaphor and background of human existence. A docu-fictional essay between the Brazilian Sertão-deserts and the Northern-German flood areas of Dithmarschen. Dramas and day-by-day-observations in times of climate change.
66 kinos
Director
Philipp Hartmann made a film, toured the German cinema scene with it and made that into a film too: an overview of an eclectic mix of cinemas all run by cinephiles. Shared love entails shared suffering: every Kino is under threat.
Time Goes by Like a Roaring Lion
Director
Hartmann proposes a 76-minute film in which each minute stands for a year of his life. This obsessive rule is invoked in the last 4 “years” of his life (and of the film). A cable-car journey codes in its own duration the secret of a perdurable shot. A poetic emancipation by a young filmmaker: a life plan finding its right frame. Roger Koza
Fraktus - Das letzte Kapitel der Musikgeschichte
(uncredited)
Der Anner und sei Mudder
Director
„Flüpperle“ means nothing short of a cigarettte. If you thought you knew everything about german dialects, this crazy story proofs you wrong.
Mikrophonie II
Director