Ásdís Thoroddsen
Birth : 1959-02-26, Reykjavík, Iceland
Producer
Trolls in various forms have accompanied mankind from the beginning, depending on how people understood the word each time. They can be people outside society who also symbolise the fears haunting those within it.
Editor
Trolls in various forms have accompanied mankind from the beginning, depending on how people understood the word each time. They can be people outside society who also symbolise the fears haunting those within it.
Screenplay
Trolls in various forms have accompanied mankind from the beginning, depending on how people understood the word each time. They can be people outside society who also symbolise the fears haunting those within it.
Director
Trolls in various forms have accompanied mankind from the beginning, depending on how people understood the word each time. They can be people outside society who also symbolise the fears haunting those within it.
Producer
Iceland’s forest cover – past and present, destruction and recovery, exploitation and hope.
Editor
Iceland’s forest cover – past and present, destruction and recovery, exploitation and hope.
Screenplay
Iceland’s forest cover – past and present, destruction and recovery, exploitation and hope.
Director
Iceland’s forest cover – past and present, destruction and recovery, exploitation and hope.
Producer
Elín Methúsalemsdóttir and her family, from the old farm Bustarfell, take us through the history of Icelandic food traditions, from the settlement period to the present day. In the beginning, Icelandic cooking was characterized by scarcity, and Icelanders had to be extremely resourceful with the little that nature provided. Now, however, the Icelandic kitchen exists in the modern world, influenced by immigration, food tourism, and global trends in farming and cuisine.
Editor
Elín Methúsalemsdóttir and her family, from the old farm Bustarfell, take us through the history of Icelandic food traditions, from the settlement period to the present day. In the beginning, Icelandic cooking was characterized by scarcity, and Icelanders had to be extremely resourceful with the little that nature provided. Now, however, the Icelandic kitchen exists in the modern world, influenced by immigration, food tourism, and global trends in farming and cuisine.
Screenplay
Elín Methúsalemsdóttir and her family, from the old farm Bustarfell, take us through the history of Icelandic food traditions, from the settlement period to the present day. In the beginning, Icelandic cooking was characterized by scarcity, and Icelanders had to be extremely resourceful with the little that nature provided. Now, however, the Icelandic kitchen exists in the modern world, influenced by immigration, food tourism, and global trends in farming and cuisine.
Director
Elín Methúsalemsdóttir and her family, from the old farm Bustarfell, take us through the history of Icelandic food traditions, from the settlement period to the present day. In the beginning, Icelandic cooking was characterized by scarcity, and Icelanders had to be extremely resourceful with the little that nature provided. Now, however, the Icelandic kitchen exists in the modern world, influenced by immigration, food tourism, and global trends in farming and cuisine.
Producer
This film explores the five different Icelandic national costumes, including their meaning for people in earlier times and the influence they continue to have on contemporary Icelandic artists and designers.
Editor
This film explores the five different Icelandic national costumes, including their meaning for people in earlier times and the influence they continue to have on contemporary Icelandic artists and designers.
Screenplay
This film explores the five different Icelandic national costumes, including their meaning for people in earlier times and the influence they continue to have on contemporary Icelandic artists and designers.
Director
This film explores the five different Icelandic national costumes, including their meaning for people in earlier times and the influence they continue to have on contemporary Icelandic artists and designers.
Screenplay
The tiny village of Flateyri in North West Iceland is a community in crisis. The young people have moved away, the fish factory and the recording studio have been sold to make holiday homes, and one third of its residents are now Polish people who came only for the work. Nestled inside the West Fjords, this quaint outpost is perched upon a narrow finger of land which juts out into Önundarfjörður, situated well within striking distance to the fertile fishing grounds that ultimately gave rise to this settlement.
Director
The tiny village of Flateyri in North West Iceland is a community in crisis. The young people have moved away, the fish factory and the recording studio have been sold to make holiday homes, and one third of its residents are now Polish people who came only for the work. Nestled inside the West Fjords, this quaint outpost is perched upon a narrow finger of land which juts out into Önundarfjörður, situated well within striking distance to the fertile fishing grounds that ultimately gave rise to this settlement.
Editor
A good couple on a Sunday drive has a car accident.
Director
A good couple on a Sunday drive has a car accident.
Assistant Director
No description found
Script Supervisor
No plot found
Screenplay
The smell of leather, whiskey and cigars: Two young girlfriends fall in love with the same man, an adventurous young businessman. Missing, forged documents wreak havoc on the lives of everyone involved.
Director
The smell of leather, whiskey and cigars: Two young girlfriends fall in love with the same man, an adventurous young businessman. Missing, forged documents wreak havoc on the lives of everyone involved.
Writer
Ingaló is helping her father on his small fishing boat, but he's an obstinate character and relations between them are tense. After a dance in the village which ends in a fight between the local people and crew of Matthildur ÍS 167, a visiting fishing boat, Ingaló and her younger brother leave home. Ingaló stays briefly in Reykjavík and has a short affair with Vilhjálmur, a man in his thirties. Sveinn has found a job on Matthildur and Ingaló is taken on as a cook. The fishing is poor and when the vessel breaks down it heads for home port, where the crew stays in derelict living quarters for seasonal workers. Ingaló finds out that Matthildur's owner and big wheel in town is none other than Vilhjálmur.
Director
Ingaló is helping her father on his small fishing boat, but he's an obstinate character and relations between them are tense. After a dance in the village which ends in a fight between the local people and crew of Matthildur ÍS 167, a visiting fishing boat, Ingaló and her younger brother leave home. Ingaló stays briefly in Reykjavík and has a short affair with Vilhjálmur, a man in his thirties. Sveinn has found a job on Matthildur and Ingaló is taken on as a cook. The fishing is poor and when the vessel breaks down it heads for home port, where the crew stays in derelict living quarters for seasonal workers. Ingaló finds out that Matthildur's owner and big wheel in town is none other than Vilhjálmur.
Consulting Producer
During a holiday in Italy, a young German falls in love with an Icelandic actress. Until the happy ending, they have to go the wrong ways and detours, which are also related to the dreamlike "mission" of the acting group.
Sandra
Jónas, working in peace and quiet in an isolated summerhouse, hires a young girl, Sandra, to cook for and look after him, and complete an ideal situation for an Icelandic writer on the brink of an international breakthrough. The plan, however, does not turn out the way Jónas intended.
Screenplay
During the invasion of Gaza in 2008-2009 by the Israeli army, 1400 people were killed - there of 400 children. By the time the last cries of protest died down those names were already forgotten.