Drifters tells of Karin, a past-her-prime cosmetics saleswoman, with her increasing exasperation with her life and her dreams of leaving it all behind and living in Paris. An unlikely but entertaining plot develops, where anything can happen.
Barrage and Bunker is an essay film about the (narrative) space imagined by fiction films. Reflections and associations about movement in space are the basis of every kind of story-telling. The film is sometimes referred to as part of Bitomsky's Cinema Trilogy. Sequences from over 20 movies are quoted and commented on by a team of three "researchers" (Bitomsky, Petzold, Tanner) in a sort of laboratory. TV-monitors, production stills and screenshots are used as well as quotations from books. A long night's work.
Mondo Cane and the Schoolgirl Report series stand as obvious influences on this occasionally amusing but generally rather tedious exploitation film that alternates between documentary, fake documentary and docudrama. The theme is Satanism and the linking thread is a recreation of what is supposedly the real-life case of a murder and attempted murder of two Munich teenage men by a quartet of girls who had been dabbling in devil worship. During the ensuing trial, the lawyer resorts to dilatory tactics while the hearing is frequently interrupted by the girls breaking into incantation, temper tantrums or shivery fits ostensibly bearing on demonic possession. When the subject of the Manson killings is brought up, the most obnoxious of the defendants breaks in indignantly, claiming that Sharon Tate’s “execution” was justified as she posed dangers to the Satanic community. (cinemadrome.yuku.com)
Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that "a cook has no time for affairs of state". She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.
