In a small mine town north of the circle, Torsten lives, working with his sister Eva and comrade Lars, who is engaged to Eva. The town's bat-owner has a daughter, Märta, who, after trying out the big city life, has returned to the village for a while, and begins to flirt openly with Torsten, but also with Lars. Märta hears of an old gold treasure that will be hidden somewhere in the mountains, trying to seduce both of them and seek both friends to find out the treasure. Neither Lars nor Torsten knows the plans or swarms of others, but Eva notices how Märta attracts Lars away from her.
It's New Year's Eve. Three drunkards evoke a legend. The legend tells that the last person to die in a year, if he is a great sinner, will have to drive during the whole year the Phantom Chariot, that picks up the souls of the dead.
Karin Daughter of Ingmar is a 1920 Swedish silent drama film directed by Victor Sjöström. It is the second part in Sjöström's large-scale adaption of Selma Lagerlöf's novel Jerusalem, following Sons of Ingmar from the year before, and depicting chapter three and four from the novel. The critical reception was however unenthusiastic and Sjöström decided to not direct any more parts.
Frau Bessie, once a madcap, aristocratic and modern Swedish fraulein, has become now a whimsical and conservative Swedish burgess after her marriage to Herr Thomas Graal. The destabilization of the marriage begins right at the wedding (which contains some hilarious incidents) when Frau Bessie announces the first Graal child must be a girl, creating a terrible conflict with her husband who is hoping for a boy. It takes a scandal to finally end the war between man and wife.
