Erol Keskin

A matriarch and her grandson forge a special bond during family picnics every two months, until her health causes a conflict among the relatives.

After several years of numbly mourning his parents death, 26 year old Selim takes a chance on the US lottery for passports and wins. He decides to sell the family olive grove to raise enough money to live in Manhattan and to break all roots to Turkey, leaving his girlfriend behind. When Selim's aged grand uncle, Nasuhi returns from Russia after 58 years he asks Selim to visit with him the olive grove of his youth. Before they depart, Nasuhi finds a beaten Russian girl, Olga who was robbed when she tried to sell herself to raise money to continue her own search for her sea faring father.

Serap is a successful theater actress. Although she rejects the traditional roles assigned to women in her personal life, she agrees to play the role of a traditional housewife in a shampoo commercial. However, she is unaware that this commercial will turn into her worst nightmare.

After being released from prison, Müslüm will fulfill his dedication and sacrifice his 2.5-month-old son to God by cutting the throat of him.

After two families being at loggerheads for years, it is now Hasip and Nasip's turn. They fight to win the mayor election, and to marry their common love interest, Perihan.

A young man, who is a doctor, returns home when he hears that his father, the mayor, has been murdered. He begins to investigate who killed his father, his only thought was to avenge.

The film deals with the migration from the village to the city with a realistic narrative. The immigration phenomenon described in workers' hands in a factory refers to both the modernization process in the period and the unionization. Hacer emigrates to Istanbul with his father, two children and his wife. Her husband left her and she was a helpless. Hacer was influenced by the union of the working factory, who owns the crippled friends. Hacer thought very much about to traditions versus modernization. It is the last of the film of director Ömer Lütfi Akad's Bridal-Wedding-Recoup trilogy. And it is still the inaccessible film of Turkish cinema history with its movie theme, cast, and acting success.

The film tells the story of Aydın and Ayşe, who crossed the roads in Cyprus, for their love. Ayşe starts to work as a designer in the weaving factory where Aydın works as an engineer. The relationship of the two, which starts with the opposite of professional issues, turns into love over time. However, Ayşe is engaged to a mafia father who she does not like in the name of Ali Rıza. Therefore, he tries to hide the love they live with Aydın. Meanwhile, the marriage process of Ayşe and Ali Rıza accelerates. A surprise awaits Ali Rıza, who thinks everything is fine on the wedding day.

The film tells the story of Aydın and Ayşe, who crossed the roads in Cyprus, for their love. Ayşe starts to work as a designer in the weaving factory where Aydın works as an engineer. The relationship of the two, which starts with the opposite of professional issues, turns into love over time. However, Ayşe is engaged to a mafia father who she does not like in the name of Ali Rıza. Therefore, he tries to hide the love they live with Aydın. Meanwhile, the marriage process of Ayşe and Ali Rıza accelerates. A surprise awaits Ali Rıza, who thinks everything is fine on the wedding day.

Hacer recently joined a factory where Hasan works and brings hope to her life. The two get married. Hacer is worried about the working conditions in the factory; she has a relationship with Hasan after she establishes a relationship with the union. Because of their disagreements, they are driven towards disaster.

An alcoholic artist, who may in fact have been driven to murder, seeks inspiration from a mannequin.

A beggar woman has to pretend to be a society woman to fool her daughter's wealthy prospective in-laws.

During the 1922 Turkish Civil War, two Americans and a group of foreign mercenaries offer their services to a local Turkish governor who hires them as guards for a secret transport.

Based on Güner Sümer's play, Bozuk düzen tells the story of four children (Erol Keskin, Nedret Güvenç. Ekrem Bora and Salih Güney) trying to survive difficult relationships and situations they are involved in.

Based on Güner Sümer's play, Bozuk düzen tells the story of four children (Erol Keskin, Nedret Güvenç. Ekrem Bora and Salih Güney) trying to survive difficult relationships and situations they are involved in.

A genocide story that falters between a spoiled and rich girl and a poor girl.

After the release, Iki Gemi Yanyana (Two Ships Side by Side) stirred controversy over its treatment of lesbians, showing two women kissing each other on the lips (later, in Dul BirKadın (A Widow), director Atıf Yılmaz took up the same theme again). This scene creates a moment of interest in this otherwise conventional film.