Clemmie Sveaas

A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.

Everyman is successful, popular and riding high when Death comes calling. He is forced to abandon the life he has built and embark on a last, frantic search to recruit a friend, anyone, to speak in his defence. But Death is close behind, and time is running out. One of the great primal, spiritual myths, Everyman asks whether it is only in death that we can understand our lives. A cornerstone of English drama since the 15th century, it now explodes onto the stage in a startling production with words by Carol Ann Duffy, Poet Laureate, and movement by Javier De Frutos.

Medea is a wife and a mother. For the sake of her husband, Jason, she’s left her home and borne two sons in exile. But when he abandons his family for a new life, Medea faces banishment and separation from her children. Cornered, she begs for one day’s grace. It’s time enough. She exacts an appalling revenge and destroys everything she holds dear.

Full-length dance piece, featuring music specially composed by electronic pop legends the Pet Shop Boys and choreographed and directed by Javier de Frutos, which premiered at Sadler's Wells in London in early 2011. Based on the Hans Christian Andersen fairytale of the same name and adapted by acclaimed playwright and director Matthew Dunster, it sees modern dance set in a traditional three-act narrative and features former Royal Ballet star Ivan Putrov alongside principal dancers Clemmie Sveaas and Aaron Sillis. Featuring design, lighting and film content by an impressive creative team including Tony Award-winning designer Katrina Lindsay and BAFTA-winning film animator Tal Rosner, the programme also includes exclusive behind-the-scenes access and interviews with the Pet Shop Boys, Javier de Frutos and others involved in this ambitious production.