Michel Andrieu

In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.

In May 1968, workers, students and young people rise up against the morality and power of the establishment. Faculties and factories are under occupation. Barricades are erected. Paving slabs are launched. Words give way to actions. This is the confrontation. These images bear witness to the men and women who, in their indignancy, march towards their revolution. 50 years ago, as part of our ARC collective, we filmed the uprising of May and June 1968. Out of this material and scenes borrowed from our other filmmaker friends, we created this film.

When demanding actress Leila is found drowned there are numerous suspects but the main suspect is her husband Ted. Adapted from the novel by Mary Higgins Clark.

When demanding actress Leila is found drowned there are numerous suspects but the main suspect is her husband Ted. Adapted from the novel by Mary Higgins Clark.

Based on the controversial case of Pvt. Joseph Pringle, a Canadian soldier convicted of murder in Italy in 1945 and executed by firing squad.

The emotional interplay between an arguing couple, in love but not happy with their relationship, is meant to be the sustaining force in this crime drama with little other action. Thomas (Christophe Malavoy) has been blackmailed into carrying a shipment of explosives in his Peugeot to Egypt, where the devices will be forwarded to guerrillas on Cyprus. He brings his lover Veronique (Victoria Abril) along for the dangerous ride from Switzerland to the south, knowing the explosives can be easily detonated by accident and enemy agents as well as government agents are out to capture him. Both protagonists have a short fuse themselves, and as they separate and then come back together, their final destination looms ever closer in more ways than one.

The emotional interplay between an arguing couple, in love but not happy with their relationship, is meant to be the sustaining force in this crime drama with little other action. Thomas (Christophe Malavoy) has been blackmailed into carrying a shipment of explosives in his Peugeot to Egypt, where the devices will be forwarded to guerrillas on Cyprus. He brings his lover Veronique (Victoria Abril) along for the dangerous ride from Switzerland to the south, knowing the explosives can be easily detonated by accident and enemy agents as well as government agents are out to capture him. Both protagonists have a short fuse themselves, and as they separate and then come back together, their final destination looms ever closer in more ways than one.

Catherine (Juliet Berto) is the temporary head of the family while her husband, whom she loathes, is away fighting in the war. Her widowed sister-in-law Suzanne (Anna Prucnal) lives with her, and after awhile it becomes apparent that Catherine loathes her as well. The children in the house are all boys -- Catherine has two sons, twelve and thirteen, and Suzanne also has a twelve-year old. While the relationship between Suzanne and Catherine is coming to a head, Catherine is having an affair with an army officer, and the boys in the family are planning a musical performance for everyone. The crescendo may be barely audible at the beginning, but it builds up to a tragedy at the end.

Catherine (Juliet Berto) is the temporary head of the family while her husband, whom she loathes, is away fighting in the war. Her widowed sister-in-law Suzanne (Anna Prucnal) lives with her, and after awhile it becomes apparent that Catherine loathes her as well. The children in the house are all boys -- Catherine has two sons, twelve and thirteen, and Suzanne also has a twelve-year old. While the relationship between Suzanne and Catherine is coming to a head, Catherine is having an affair with an army officer, and the boys in the family are planning a musical performance for everyone. The crescendo may be barely audible at the beginning, but it builds up to a tragedy at the end.

An experienced but aging captain in command of the Sofala must hide the fact that he is becoming blind.

Escaped from jail, Luis finds refuge on a remote island where, it is said, several people have died long ago of a mysterious illness. He discovers a large abandoned villa. One day, a group of people from another time, come in. The villa and the nature around become the theater of strange phenomena…