Deputado Audileyson (voz)
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Executive Producer
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Assistant Director
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Producer
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Screenplay
Uno has a fantastic gift: he can talk and listen to cars since he was a child. After a new law prohibiting the use of aged cars puts his father's taxi company in danger, he takes a decision to recover an old family car into a “new one”, and its name is King Car – a car that speaks, listen, and even fall in love. A car that has plans for everyone.
Director
Road movie through Peru, Buenos Aires, São Tomé das Letras, Recife and São Paulo, but with no defined destination. It records the lifestyle of those who live free in the world, nomads in the sub-continent of Latin America.
Writer
Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.
Director
Bethânia returns to her land, where the family’s old sugar mill was built, the Wanderley Mill. Between photographs, fantastic creatures, bills to pay and workers claiming their rights to the land, Bethânia faces herself in a present where both the past and the future look menacing.
Director
Screenplay
When the Netuno Circus returns to Fernando de Noronha, it brings back a young man with a turbulent past. Pedro is now Zolah, the human cannonball. When secrets surface, bizarre family reunions rival the circus performances.
Producer
Shelly, a young dancer who dreams of becoming a singer, and Jaqueline, an experienced singer who has had some successes and bitter the decline of her career, are partners in a brash band in a scenario that It mixes the romanticism and the sensuality of the Brazilian periphery. Inserted in the universe of show business, between nightclubs and local TV shows, they discover that everything is disposable, like success, love and other human relations. Together, they seem to form a single trajectory of life, where Shelly represents the past of Jaqueline, while this figure like the probable future of the colleague.
Writer
Shelly, a young dancer who dreams of becoming a singer, and Jaqueline, an experienced singer who has had some successes and bitter the decline of her career, are partners in a brash band in a scenario that It mixes the romanticism and the sensuality of the Brazilian periphery. Inserted in the universe of show business, between nightclubs and local TV shows, they discover that everything is disposable, like success, love and other human relations. Together, they seem to form a single trajectory of life, where Shelly represents the past of Jaqueline, while this figure like the probable future of the colleague.
Executive Producer
A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed
Screenplay
A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed
Director
A quasi-musical approach on contemporary urban life that reflects Brazilian society and many others throughout the world, this documentary describes at the same time a place, a city and a country. The real place, a neighborhood in Recife, encompasses all of the Brazilian way of life, highlighting a reality that is before us but often goes unnoticed
Script
Director
Writer
Executive Producer
Writer
Weatherman from a TV network goes back to his hometown, Vale da Rocha, a place in Northeast Brazil, devastated by the drought. He is forced to face the geographic elements and his own memories.
