Just a few weeks before elections, the outgoing President of Republic, Jean François Vanier (Patrick Braoudé), is at the lowest in the polls, leader of the most powerful right wing party he is trying to find a mainstay.
Ombline, a 20-year-old woman, is sent to prison for three years after committing a violent assault on a police officer. Just when she has lost all hope for the future, she discovers that she is pregnant. The law allows her to rear her newborn for the first 18 months of its life, after which time the child must be given up and placed into state care. Ombline has no intention of surrendering her beloved little boy and is prepared to do anything to convince the authorities that she is capable of rearing the child after she has left prison. As her maternal instincts assert themselves, the young woman finds she has a cause worth fighting for, and an opportunity to rebuild her shattered life…
She drove me into a corner, then forced me to go beyond my limits. She made me confront the absolute: love, sacrifice, tenderness, abandonment. She dislocated me, transformed me. Why didn't anyone warn me? Why doesn't anyone ever talk about this?" Un heureux événement, or an intimate view of motherhood, sincere and with no taboos.
Marieke wants to live her life. But how can she succeed if love has been taken away from her? She seeks warmth in the arms of much older men to find the strength to face the past and finally be herself. Marieke is 20 years old. She lives with her mother, Jeanne, a woman left cold and distant ever since her husband died. During the day, Marieke works in a Brussels chocolate factory. At night, she escapes into the arms of much older men. With them she feels strong, cherished and free. The arrival of Jacoby, a book editor living abroad, searching for her father's last manuscript, upsets Marieke's precarious balance. Her mother does everything in her power to keep them apart. She fears that he will reveal the secret that has remained hidden for so many years. Marieke falls in love with Jacoby but devastated by the truth of her father's death, she sinks despair. Will she find the strength to accept the truth and live anew?
In the 70s, there was Merckx and there were the others. Ghislain Lambert was one of the others. This is his story, a quite simple one. The story of a modest Belgian bike racer. His greatest ambition in life? To become a champion. His greatest tragedy? Not having the legs his heart deserves.
This is a film which was made in Belgium in the early '60s and was never released. However, it somehow got included in the American Oscar category for "Best Foreign Film," and was finally released in its home country in 1971. It explores the issues of prejudice and superstition in the Belgian countryside through the troubles of a middle-aged farmer whose mother has been accused of being a witch. In French, this picture is based on a true story which took place in the late 1920s and early '30s.
