Rita Weiman

After being found wandering the streets of Los Angeles, a severely catatonic woman tells a doctor the complex story of how she wound up there.

The screenplay for this mystery is based upon a story suggested to Liberty Magazine by President Franklin D. Roosevelt. It is the tale of a prominent lawyer who shocks his snooty friends, family and colleagues by abruptly abandoning his successful practice and his wife to find true happiness. He soon falls in love with another woman and continues to keep a low profile until he learns that his first wife stands accused of murdering him

Late one night, secretary Paula Young (Ann Harding) leaves the office of her boss, Stanley Whittaker (Douglas Dumbrille, locking the door and taking the stairs to avoid being seen by the elevator operator (Frank Jenks). The next morning, the cleaning lady finds Whittaker's dead body, an apparent suicide. Police Lieutenant Poole (Moroni Olsen) finds a letter signed by Whittaker in which the deceased states he embezzled $75,000. Soon, however, he suspects otherwise and, after investigating, arrests widower James "Jim" Trent (Walter Abel), the vice president of Whittaker.

A woman owning a small dressmaker's shop decides to reopen it in Broadway in luxury at all expenses, trusting merely on the cards'premonitions. She wants her little children to pair with the richest boys. Her husband, who discouraged her, dies and the business soon takes flight.

On Your Back is a 1930 American drama film directed by Guthrie McClintic and written by Howard J. Green. The film stars Irene Rich, Raymond Hackett, H. B. Warner, Wheeler Oakman, Marion Shilling and Ilka Chase.

Lizzie Stokes, an obscure and colorless actress, is elevated to stardom through publicity and better coaching from Daniel Hoffman, a theatrical producer. As Olga Rostova, an exotic Russian, she meets Norman Brooke, whose infatuation turns to love. Hoffman suggests that Norman could never care for Lizzie and proves his point. Heartbroken, Lizzie decides to see no more of him. On closing night, when he proposes to her in her dressing room and she refuses, Norman declares he must believe all the lurid details of her past; in desperation, she bares her true identity, only to find it is not her glamorous image but rather her real self that he loves.

Anne Gray (Ruth Clifford) runs off with Robert Gordon (William E. Lawrence), believing that he is going to marry her. When they arrive at a hotel, another guest, Langdon Van Kreel (Charles Clary), sees though Gordon's ploy and chases him away.

When a wealthy man is found murdered in his bedroom, one of his two adopted sons is arrested and charged with the killing. However, the verdict at his trial is an acquittal. Since the police don't seem to be particularly interested in finding the real killer, the dead man's daughter-in-law--the wife of the adopted son who wasn't charged--takes it upon herself to solve the crime.

Thrifty orphan Norah MacPherson meets wealthy young James Patterson, who gets her a job as a chorus girl. They fall in love. To put up a good front, she spends all her money on clothes. Patterson doubts her when he sees her wearing a string of fake pearls; he then finds that she hasn't been unfaithful, and they are reconciled.

Actress Marie Lamont (Phoebe Hunt) has been living well due to a string of lovers and has kept her daughter, Dorothy (Gloria Hope) sequestered in a convent far, far away from her fast lifestyle. But when Dorothy leaves the convent to come live with her mother, Marie decides to reform. She gives up her fancy apartment and her latest lover, Harvey Martin (Jack Holt), to concentrate on her daughter and her career, in that order. But Martin has fallen for Dorothy, and Dorothy cares for him too, even though she is already promised to a young artist, Geoffrey Hutchins (John Harron).

After the Show was adapted from Rita Weiman's story "The Stage Door." Lila Lee plays Eileen, a starry-eyed young girl employed as a chorus dancer in New York. Eileen can never be certain if the men in her life are sincere, or if they perceive her as mere temporary plaything. Among the "stage door johnnies," "tired businessmen" and "sugar daddies" surrounding Eileen are Jack Holt and Carlton S. King.

Exotic Russian actress Lisa Parsinova tires of her glamorous life on the New York stage and returns, under her actual identity as Lizzie Parsons, to her small New England hometown. But she is pursued by a young man who is in love with the famed Russian alter ego.

Jane Goring, a ruthlessly ambitious actress, forsakes her life as a wife and mother for the stage. Returning home from a performance one night, Jane is disgusted to find her husband Robert McNaughton victimized by a tubercular cough and so banishes him and her young daughter to a sanitarium in Colorado. Years pass, finding Jane still estranged from her family. On the opening night of her new play, Jane finds herself upstaged and outperformed by Gloria Cromwell, a rising young actress, who, unknown to Jane, is her abandoned daughter. Returning home, Jane is haunted by visions of her husband and child and begins to sob. Looking up from her pillow, she is startled to see her husband with Gloria.

Nancy Bradshaw (Katherine MacDonald) is a popular stage star who quits her career to marry millionaire clubman Dick Cunningham (Charles Richman). But after a few years of marriage, he starts seeing other women. Figuring that her public was more faithful to her than her husband, Nancy returns to the stage.