Chief Inspector Mohn investigates a case of rape. Barbara Falk was apparently drugged by knockout drops and abused in her house. While her male colleagues have doubts, Judith Mohn is convinced that the victim is telling the truth. A suspect has to be released for lack of evidence. Only five years later does it become clear that this was the right lead.
Lola controls her personal life with the same ruthless efficiency she uses to optimize profits in her job as a business consultant. But when a tragic event forces the past back into her life, Lola's grip on reality seems to slips away.
Olaf tries to make his dreams reality and thereby always gets into trouble with his surroundings. He meets his biggest obstacle yet when his father pressures him into having a child. Finding a woman becomes difficult when Olaf realizes that they have something he doesn't have: feelings.
Anouk, a woman in her late 30s, a copywriter from Stuttgart and who has traveled the world, bumps into Heiner, an architect, who is in his mid-40s, in Berlin. The two meet in spontaneous longing for a different, a new life.
After Sam, a penniless Afro-German singer, discovers he's HIV positive, he gets utterly drunk, spends a few miserable days, but promptly falls (back) in love. Amidst a crumbling former East Berlin (its bulidings, cars, people & culture), Sam develops a "family" for the new millenium, for the new generation of post-drug cocktail AIDS victims. The fragile "family" he forms includes his on-again-off-again boyfriend Rainer, and his best friend Bastl with his latest fling, Mike. Like the old, schmaltzy East German songs which Sam is recording, the sweet innocence of the characters struggle to prevail, the misfortunes of the characters nothwithstanding.
