Gines Olivares

Is yesterday’s science fiction today’s social documentary? Real stories from gig-workers in the delivery sector intertwine with Neal Stephenson's cyberpunk classic Snow Crash.

Slavery has never ended. It has just assumed other names and ways to conceal itself. Roser Corella’s film zooms in on Beirut, where the upper class on a large scale hires maids from countries such as Ethiopia, Kenya and the Philippines through agencies that advise people how to cheat and manipulate the young women to work full-time (literally) for meagre wages. An upsetting revelation, but Corella keeps a cool head and tears the inhuman ‘kafala’ system apart piece by piece. She analyses the situation in both words and images, but it is the underpaid maids themselves who provide the conclusion in the form of demonstrations, protests and demands for proper working conditions. ‘Room without a View’, the title of which describes the rooms made available to the women, combines an artistic and an investigative approach to its exposition of the abominable monster that is modern slavery. A film that is highly topical in all parts of the world - unfortunately.

A Chilean family of German descendants must confront a painful episode dating back to World War II. Silence gives in when one of its members moves to Berlin and begins to research the disappearance of his grandfather’s twin brother, who was a pilot in the German Army. Back and forth, between Chile and Germany, the director turns into his own history to reflect on how his family’s memory has been shaped, and how past behaviors of the Nazi times have echoes in present generations in Chile.

A look at the renowned writer Roberto Bolaño, and the turmoil caused by his strange relationship with Chile, his homeland. We approach the writer through his friends, his irony and his genius, traveling across Mexico, Spain and Chile.

A look at the renowned writer Roberto Bolaño, and the turmoil caused by his strange relationship with Chile, his homeland. We approach the writer through his friends, his irony and his genius, traveling across Mexico, Spain and Chile.

GLEISDREIECK is a story about love, its different forms and the lies that are told in its name. In an austere audiovisual style, where the story unfolds supported by the performance of its three characters. Two very different departments located in opposite parts of Berlin, which Hedda visits to Petra and Zazie.

GLEISDREIECK is a story about love, its different forms and the lies that are told in its name. In an austere audiovisual style, where the story unfolds supported by the performance of its three characters. Two very different departments located in opposite parts of Berlin, which Hedda visits to Petra and Zazie.

A knife in the pocket, adrenaline in the blood and only one dream in mind: to be a gangster - and the biggest one at that. Yehya was 15 years old and close to realizing his dream when he met the filmmaker Christian Stahl in the stairwell. Yehya wasn't just the nice boy from next door, he was also "the Boss of Sonnenallee" - one of the gangster runners of the Berlin borough of Neukölln. And gangster runners want to make it in the gangster world. In the eyes of the authorities, he is an "intensive offender"; in his own eyes, Yehya is "one of the top ten of Neukölln. I got my own prosecutor!"