Director
A cinematic essay on French graphic designer Moebius aka Jean Giraud.
Scenario Writer
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
Director
A look at Fellini's creative process. In extensive interviews, Fellini talks a bit about his background and then discusses how he works and how he creates. Several actors, a producer, a writer, and a production manager talk about working with Fellini. Archive footage of Fellini and others on the set plus clips from his films provide commentary and illustration for the points interviewees make. Fellini is fully in charge; actors call themselves puppets. He dismisses improvisation and calls for "availability." His sets and his films create images that look like reality but are not; we see the differences and the results.
Director
Using rare images of the artist filmed at work in his studio, exclusive interviews with his family and close friends, photographs by Henri Cartier-Bresson, and unpublished artwork, this award-winning feature documentary highlights the painter’s complex creative process. Acclaimed as the definitive film portrait of the master, Balthus through the Looking-Glass was shot on Super 16 over 14 months in Switzerland, Italy, France and the Moors of England by the director of Fellini, I’m a Born Liar. (Arte)
