Li Hongqi

More than twenty years ago, Dazhang along with his three brothers came to Guangdong to work in a local quartz powder factory. However, a few years later, Dazhang was diagnosed with advanced staged pneumoconiosis. Returning to his hometown, the pneumoconiosis was gradually killing him every single day. The entire family was stuck in this seemingly endless suffering, while his children were still confused about what happened to their father.

More than twenty years ago, Dazhang along with his three brothers came to Guangdong to work in a local quartz powder factory. However, a few years later, Dazhang was diagnosed with advanced staged pneumoconiosis. Returning to his hometown, the pneumoconiosis was gradually killing him every single day. The entire family was stuck in this seemingly endless suffering, while his children were still confused about what happened to their father.

Eight characters, trapped inside surreal spaces.

Eight characters, trapped inside surreal spaces.

Eight characters, trapped inside surreal spaces.

INNER EAR INFLAMMATION can be regarded as the answer to the title of my first music documentary, ARE WE REALLY SO FAR FROM THE MADHOUSE? Both films were shot on the spur of the moment; the difference between the two is that ARE WE REALLY SO FAR FROM THE MADHOUSE? was made specifically for Yang Haisong, whose music I had regrettably never used even though he had suggested it many times, while INNER EAR INFLAMMATION is 100% ruthless contraband. The shooting and production were completed in a very short period of time, but this doesn't mean it was sloppily done. In fact, INNER EAR INFLAMMATION is by far the least regrettable of all of my works to date, including the feature films. -Li Hongqi

While in the process of making this documentary, I intended to use the words of Alexander Grothendieck—"Every one of us has the chance to rediscover exactly what it means to discover"—as the epigraph, but I finally gave it up. I don't feel like I understand the precise meaning of this sentence, but I've always been eager to understand it. -Li Hongqi

Loan sharks and female nightclub workers.

Ostensibly a documentary or a music video chronicling influential post-punk Chinese group P.K. 14’s first national tour, Li Hongqi’s latest provocation becomes a rumination on existential ennui that takes place on endless highways as band members sit in their tour bus and anonymous hotels.

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin's home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument's sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school's value and relevance to real life.

An ordinary village in Northern China, the last day of the winter vacation. Four idle, aimless adolescents gather at Zhou Zhixin's home, a friend who lives with his father, brother and nephew. Like most contemporary teenagers, these youths want to enjoy their last day of holiday and simply hang out in this place where nothing ever seems likely to happen. Their conversations are desultory and they sometimes seem to argue for argument's sake. One of them, Laowu, talks frankly with his girlfriend about how teenage love might affect their studies, while Laobao questions school's value and relevance to real life.

A father takes his son to observe an empty field, and then to visit a neighbour, who is soon visited by other reticent characters, including a man who is a little violent, and another next-door neighbour who has fallen ill.

This deadpan experiment in "anti-narrative" functions as the husk of a story about a man named He, his acquaintance and lodger, Mao, and a woman named Zheng, the three of whom are involved in what may or may not be a love triangle.